10 Results for : obligato

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    Coutant:Les clauses d'adhésion obligato
    Erscheinungsdatum: 28.04.2014, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Les clauses d'adhésion obligatoire aux associations de commerçants, Autor: Coutant, Marine, Verlag: Editions universitaires europeennes EUE, Sprache: Französisch, Rubrik: Recht // Rechtsratgeber, Seiten: 84, Informationen: Paperback, Gewicht: 142 gr, Verkäufer: averdo
    • Shop: averdo
    • Price: 33.09 EUR excl. shipping
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    Sperger:Sonata per il Contrabasso e Vio
    Erscheinungsdatum: 01.02.2020, Medium: Stück, Einband: Geheftet, Titel: Sonata, Titelzusatz: per il Contrabasso e Viola obligato, Autor: Johannes Sperger, Redaktion: Wies de Boevé, Verlag: Hofmeister, Friedrich, Sprache: Englisch // Deutsch, Rubrik: Musikalien, Gewicht: 317 gr, Verkäufer: averdo
    • Shop: averdo
    • Price: 36.80 EUR excl. shipping
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    Sperger:Sonata per il Contrabasso e Vio
    Erscheinungsdatum: 01.02.2020, Medium: Stück, Einband: Geheftet, Titel: Sonata, Titelzusatz: per il Contrabasso e Viola obligato, Autor: Johannes Sperger, Redaktion: Wies de Boevé, Verlag: Hofmeister, Friedrich, Sprache: Englisch // Deutsch, Rubrik: Musikalien, Gewicht: 317 gr, Verkäufer: averdo
    • Shop: averdo
    • Price: 36.80 EUR excl. shipping
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    Sonate per cembalo obligato e violino o flauto
    Sonate g-moll GWV 709|Sonate g-moll GWV 710|Sonate g-moll GWV 711
    • Shop: Notenbuch
    • Price: 14.00 EUR excl. shipping
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    Sonata
    Sonata ab 36.8 € als sonstiges: per il Contrabasso e Viola obligato. Aus dem Bereich: Musik, Noten & Musiktheorie,
    • Shop: hugendubel
    • Price: 36.80 EUR excl. shipping
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    Sonata
    Sonata - per il Contrabasso e Viola obligato: ab 36.8 €
    • Shop: ebook.de
    • Price: 36.80 EUR excl. shipping
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    Corelli:Concerti Grossi
    Concerti grossi op6/1,3,4,7,8,12 (Fassung fuer 2 Floeten, Cello obligato, Bc)
    • Shop: odax
    • Price: 14.59 EUR excl. shipping
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    Endeavors in Common Time
    After three years since his debut recording of 'Self guided Tour', Songwriter Bobby Henslee is back and with this new C.D. offered here first, on c.d. baby!! With an eclectic mix of new songs,ranging from the raggae-type pop tunes to smokey ballads and even a great country-pop duet with the up and coming vocal power-house Jenny McCarrel ( if you've not yet heard of her....you will soon!)Included here is the beautiful blues ballad 'Nothing to Lose' with piano and cello obligato, this is definately for the more sophisticated listener. From the comical 'Gigolo of the Samba' to the puriety of 'Lullaby', this C.D is a must for the serious collector of original singer/songwriter music!
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    • Price: 25.46 EUR excl. shipping
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    La Superbe
    In 1704 (or maybe slightly earlier) a set of harpsichord pieces was published, composed by Louis-Nicolas Clérambault. Born in 1676, he was recognised as one of Paris' leading musicians of his time. He became famous for his sonates, cantates and pièces d'orgue. Though less often performed nowadays, his harpsichord pieces show his great ability to write elegantly embellished, expressive melodies. The first set of pieces on this CD, in C-major, opens with a 'Prélude non mesuré' in the style of his great predecessors, Louis Couperin and Henry d'Anglebert. The following pieces in this suite are rather conventional and academic in their use of the traditional dance forms and harmonic progression. In the doubles of the 'Allemande' and 'Gavotte' we recognize the 17th century way of elaborating a dance movement with an adorned variation. Francois Couperin, the second composer on this CD, had a rather unconventional approach in combining harpsichord pieces into sets, not naming them 'Suite' but calling them 'Ordre'. Furthermore, the regular dance forms became a pattern, used to paint, as it were, a portrait in music of a person, an event or whatever else occurred to his creative mind. In his '17th Ordre' (published in his 3rd book of harpsichord pieces, 1722) he sets to music a fine portrait of his great contemporary viola da gamba player Antoine Forqueray. In 'La Suberbe', Couperin makes use of the gravity of the ancient allemande to give shape to the nobleness that Forqueray revealed in his playing. One recognises also the imitative motives and so called fake polyphony (a two-part writing in broken chords) that Forqueray obviously would have brought to life in his playing. The key is e-minor, especially expressive in the tuning used in this recording, the temperament ordinaire. This noble piece is followed by a pretty piece in which Couperin evokes 'Les Petits Moulins à vent'. Usually this title is interpreted as a reference to the Parisian windmills. The lightness of the piece and the small, repeated musical motives makes one rather think of the small paper windmills on top of wooden sticks that bring great amusement to children. One can easily imagine the repeated blowing in order to keep the small moulins moving. From time to time they nearly stop, just to be blown in action again. The following rondeau 'Timbres' could be interpreted as a musical painting of little chimes. One can employ the art of playing inégale to give shape most effectively to the irregular sounding bells. A rather old-fashioned 'Courante' follows to give way to 'Les Petites Crémières de Bagnolet'. It is not difficult to hear in the melodic lines the chattering among milkmaids in the Parisian suburb of Bagnolet. The next composer on this CD, Jacques Duphly, of whom little is known, published his harpsichord works in four books. A mixture of conventional musical portraits and dance forms can be found next to experiments in new keyboard techniques that emerged in the later 18th century. In 'La Forqueray' (from his 3rd book, 1758) we find a nice, but rather old-fashioned portrait of the earlier mentioned Antoine Forqueray, including the imitative melodic fragments and fake polyphony. The key (f-minor) is very expressive! On the other hand, in the Chaconne we find Duphly exploiting all kinds of new-fashioned keyboard techniques such as broken chords over several octaves and so called Alberti-basses. His 1st, 2nd and 4th book contain only pieces for harpsichord solo. Also, in his 3rd book he published 6 pieces for harpsichord accompanied by violin. This genre emerged from the beginning of the 18th century as a medium to combine musical instruments in a chamber music setting, most probably with the aim to encourage musical practice in domestic setting. In his 3 pieces in F-major, Duphly exploits two ways of writing accompanied harpsichord music: in the 'Ouverture' (and also in the refrain of 'La DeMay') the violin plays in unison with the harpsichord, thus enhancing the expressiveness of the harpsichord tone. In the other pieces, Duphly writes an obligato part for the violin, achieving a very attractive musical dialogue.
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    • Price: 29.55 EUR excl. shipping
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    Daniel Akiva: Malchut / Various
    Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic tradition from his youth. Much of his compositional output has been devoted to works that grow out of the music of the Sephardic Jews. Mr. Akiva has appeared in concert as a guitarist and lutist in Israel, Spain, Switzerland, France, Germany, Portugal, the United States, Mexico, and in most of the countries of Central and South America. In 1984 he accompanied the soprano Victoria de los Angeles in a series of concerts at the prestigious Israel Festival. His repertoire includes works from the Renaissance through the 21th century. Daniel Akiva's output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. In 1990 his work Mizmorim (Psalms) for guitar solo was awarded the ACUM prize for composition. He has also written music for films including the eight-part television series 'Jerusalem That Was in Spain,' which was broadcast in five languages throughout the world. His work Siniza i fumo (Smoke and Ashes), for mezzo-soprano, recorder, flute, narrator, children's choir, guitar, and orchestra, composed in memory of the Jews of Salonika who perished in the Holocaust, was premiered in 1997 in Jerusalem, and was performed several times in the United States in May, 2000. His string quartet Ciclos was awarded the ACUM prize for composition in 2002. In 2006, he received the Amazon Prize for his disc 'Hope.' Mr. Akiva is a graduate of the Rubin Academy of Music in Jerusalem, and completed his studies at the Geneva Conservatorium in Switzerland. He currently heads the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and has been the Artistic Director of the Guitar Gems Festival since 2006. 'Malchut' for voice and guitar, is a setting of a poem by Rivka Miriam 'Four Prayers' for mandolin and guitar consists of four miniature movements and was written in 2001 by invitation of the mandolinist Avi Avital, and dedicated to him and to the guitar and lute artist Bari Moscovitz. The composition describes different spiritual states as expressed through prayer, moving from contemplation to joy and from meditation to dancing. The trio 'Selichot' was inspired by the penitential poems of the Sephardic Jews for the High Holidays. The composition is a series of dialogues between the three instruments. The dialogues include confrontation, reconciliation, and agreement, three traits of human behavior. The first movement begins with solo oboe which introduces the first theme. The second theme is introduced by the cello, and is based upon the Neilah prayer which concludes Yom Kippur. The second movement begins with a meditative motive played by the guitar and based upon the melody of the poem 'As a servant longs' by the medieval poet Solomon ibn Gabirol. The melody is introduced later by the oboe. In the third movement, 'The year has ended with it's curses,' expresses reconciliation and agreement, and is based upon the melody of the poem whose name it bears. Towards the end of the movement, the Neilah motive of the first movement returns as the motive for the blessing which concludes the work. The song cycle 'Sarina kanta' (Sarina sings) is sung in Ladino and was inspired by Sephardic folk songs.Various folk songs are quoted in the work. The first movement, 'Dia y noche' ('Day and Night') is based upon a cantiga (lyric love song). The second movement is a fantasia based on a poem by Avner Perez, 'Sarina kanta romansas,' ('Sarina sings romances'). Sarina is Perez's grandmother, whose memory is recalled in this cycle of poems. The third movement was originally a romance of the Sephardic Jews from Turkey, 'Una matika de ruda' ('A spring of Rue'), which over time turned into a cantiga. The fourth movement, 'Ya abasha la novia' ('The Bride is Coming Down'), is a humorous wedding song. The fifth movement is a lulluby with a violin obligato part. The cycle concludes with 'Ya salio de la mar' ('Here She Comes from the Sea'), a wedding song. '6 Preludes' selected from the First and Second Books by Claude Debussy were arranged by Daniel Akiva for the combination of oboe, cello and guitar in order to provide color and give expression to the composer's Impressionistic thought through the independent use of color.
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    • Price: 15.51 EUR excl. shipping

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