12 Results for : clacking

  • Thumbnail
    I was wearing a mini skirt with a tight blouse, a white lace bra and matching white lace panties. I undid my skirt and dropped it to the floor. I unbuttoned my blouse and it also fell to the floor. I was standing in my bra and panties and heels. Victoria then reached over and in an almost robotic manner took off my bra and threw it to the floor, and pulled my panties down to my ankles and had me kick them off, landing to the right of me on the floor next to my other clothes. I felt completely vulnerable and exposed as I stood before her naked. I knew Victoria loved me feeling this way, which is probably why she had me do it in the first place as soon as I stepped foot inside her house. She turned me around and pulled the belt she had on around her waist off and tied it around my wrists behind my back. Then, she picked up a ball gag from the nearby table and forced it into my mouth and fastened it behind my head. Victoria then walked me over to a small door under her stairway, grabbed me from behind my head and took a handful of my hair and threw me through the small doorway. I landed on my hands and knees in the dark and pleaded with her as she closed the door and locked it with only me inside the dark small room. It was silent. I then heard her heels clacking again on the hardwood floor as she walked to the front door, opened it, closed it and locked it behind her. Then I heard her start her car and minutes later, drive away. So, here I was naked, bound and gagged locked in a dark little room all alone. I was terrified. ungekürzt. Language: English. Narrator: Candy Kross. Audio sample: https://samples.audible.de/bk/acx0/018657/bk_acx0_018657_sample.mp3. Digital audiobook in aax.
    • Shop: Audible
    • Price: 9.95 EUR excl. shipping
  • Thumbnail
    '...spend too much time connecting the musical dots on What Hearts and you'll miss the things the group does best. Three-way, all-girl vocal harmonies are a tough beast to tame-especially when you're laying down sparkling guitar-picking and fiddle-playing-and What Hearts fucking nails it. Proof of this can be found in opener "Salmon River Mouth," on which frontwoman-guitarist Julie Vitells, guitarist Karin Nystrom and fiddler Sophie Vitells sing like train whistles over drummer Sarah Fennel's minimal, clacking beat. Like much of Songs for Marjorie, the instrumentation here-while well-played, tastefully understated and gorgeously recorded-is really a trampoline beneath the singers' feet. Julie Vitells writes twisting, descriptive lyrical vignettes, but it's clear her real joy comes from writing gorgeous harmonies to underscore the best couplets. That's also what keeps me listening, past all the comparisons, again and again. CASEY JARMAN.' -Willamette Week 'On Songs for Marjorie, the new EP from What Hearts, the local trio is not shy about their appreciation for the olden days of country music. Thankfully they pay their dues without strained twang or lyrical content forced beneath the Mason-Dixon line. Instead, What Hearts-which began as a songwriting project for Julie Vitells-stacks the harmonies high while keeping the pace at a tempered shuffle throughout this six-song offering. It's not all front-porch folk strumming either, songs like the haunting 'Last Year' and 'Don't Leave Me Danny' have a slight Chelsea Girl feel to them. Regardless of where their influences take root, What Hearts have just established a mighty foundation to build upon. EAC' - The Portland Mercury.
    • Shop: odax
    • Price: 18.60 EUR excl. shipping


Similar searches: