14 Results for : glazov

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    Nikita My father is one of the most dangerous men in the world. I have grown up in the shelter of his wing; protected from all that could come against me. Unlike my brother and sister who have been immersed in organized crime from the day they were born, my eyes have been veiled, my ears have been covered, and my soul has been protected. I have only known what the Pakhan has allowed me to have knowledge of. It is of utmost importance I'm kept in the dark about the heinous practices that go on in our line of work. I am the single most trusted individual to the man who is not only the Pakhan, but my father. I am his Sovietnik, his councilor, his lawyer, so it's imperative I'm not privy to the inner workings of crime that go on behind closed doors. Until now... Make no mistake...I am my father's son! Natasha I've been cleaning up Alexander Glazov's messes forever - it's all I know. I get a front row seat to this family's brand of crazy. There's not a whole hell of a lot that shocks me anymore. Until now... The Pakhan has pulled the one man who is never supposed to be subjected to acts of crime; right into the middle of a shitstorm. Until now, Nikita and I have been able to keep things separate; he had his job, I had mine. Now...lines have been blurred. I'm seeing a side of Nikita I never knew existed. He's not just the educated Sovietnik to the ruthless Alexander Glazov; he's smart, savvy, ruthless, determined, and lethal when need be. It seems the Pakhan has tapped into a part of Nikita none of us knew existed until now. It also seems...Nikita Glazov is more like his father than any of us ever could have ever perceived. Make no mistake...Nikita is his father's son!  ungekürzt. Language: English. Narrator: Ken Solin. Audio sample: https://samples.audible.de/bk/acx0/084068/bk_acx0_084068_sample.mp3. Digital audiobook in aax.
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    The Born Bratva legacy continues.  Glazov remains obsessed with his Ptichka in this dark, twisted romance of unconventional love. His children have only served to bring out his dangerous nature as he continues to fight to remain on top as the feared Pakhan.   "Daddy! Daddy!" I have faced every terror known to man. Every blood-curdling scream for mercy only sent me deeper into my dark state of being. Their agonized screams never moved me to feel pity, nor have they ever struck fear in my heart. This, though... this was different. The cry of a child, terrified and begging for a father who could no longer help him, raised my hackles for the first time in my screwed-up life.   Somehow, I know that breaking through the barriers of fire and smoke and saving this boy will avenge me, and I will finally find the redemption I so desperately need.   As if they have been summoned from the very portals of hell, flames are licking at us from every angle, but I will never forgive myself if I leave this boy to be swallowed up by the inferno.   A wooden beam crashes down beside me and pulls me back into the moment. Quickly, I bend over and lift the child from a pile of soot-blackened debris to heave him over my shoulder.   Once the boy is secure in my arms, I turn and immediately run toward the door. With every step, my lungs scream for the life-giving fresh air that looks so close, yet feels so far away. The boy's tiny fingers grip me tightly; one hand is hanging onto my leather gun holster, and the other is wrapped in the fabric of my shirt. When I dressed this morning, I certainly never anticipated this could be the day I die. The fire has burned through the walls in places, and sunlight beckons me through the cracks. The entire building threatens to cave in on us before we have the opportunity to crash through the door separating life from death. I will not die today. I plow through the wooden door, instinctively know ungekürzt. Language: English. Narrator: Samuel Valor. Audio sample: https://samples.audible.de/bk/acx0/116633/bk_acx0_116633_sample.mp3. Digital audiobook in aax.
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    "A disturbing, unsettling novel . . . if it had been published in English soon after its first appearance in Italian (1968), the name of Giorgio De Maria would be well-known, his novels and stories mentioned in the context of J.G. Ballard, Anna Kavan, Shirley Jackson or Robert Aickman."-Lisa Tuttle, Nebula Award winner and author of Gabriel, Windhaven, and The Curious Affair of the Witch at Wayside Cross. Before an untimely mental breakdown cut short his two-decade career, Giorgio De Maria distinguished himself as one of Italy's most unique and eccentric weird fiction masters. With a background in the post-war literary culture of Turin -- Italy's urbane but eerie "city of black magic" -- De Maria drew inspiration from the Turinese underbelly of occultism, secret societies and radical politics. His writing coincided with the decade of terrorist violence known to Italians as the Years of Lead; the outcome was a weird fiction suffused with panic, rage, trauma, paranoia and meditations on antisocial hubris. In 1978, he told an interviewer: "...I think that the dimension of the fantastic, as much as this may seem paradoxical, is the most fitting one to express a reality as complex as ours today." De Maria's debut novel, The Transgressionists (1968) portrays a cell of malicious telepaths who meet in the cafés and jazz clubs of 1960s Turin to plot world domination. After experiencing the worst of their power, an embittered office clerk resolves to join them and prove himself worthy to share in their villainy. He cultivates twisted mindfulness techniques to awaken his inner sociopath. He fights off predatory phantoms that seem maddeningly drawn to him. He prepares for the dangerous "Great Leap" which will make him into a fully-fledged Transgressionist. But could his megalomania strain relations with his fiancee? Will he sacrifice love in his quest for omnipotence? The other works in this volume are no less surreal and startling. The Secret Death of Joseph Dzhugashvili (1976) gives us a nightmarish fantasy Soviet Union, where a dissident poet finds himself trapped in a psychological experiment conducted by Stalin himself. In "The End of Everydayism," a group of futuristic artists begin using corpses as a medium -- with violent, unforeseen results. The antihero of "General Trebisonda" is a possibly insane commander who prepares for a war crime in an eerily deserted fortress. Available in English for the first time, this collection contains two novellas, two short stories and a dystopian teleplay, The Appeal, which the post-cyberpunk novelist Andrea Vaccaro has lauded as "worthy of the best episodes of Black Mirror." Meanwhile, an introduction by translator Ramon Glazov offers a detailed account of De Maria's background, creative context and thoroughly unusual life.
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    • Price: 15.99 EUR excl. shipping
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    "A disturbing, unsettling novel . . . if it had been published in English soon after its first appearance in Italian (1968), the name of Giorgio De Maria would be well-known, his novels and stories mentioned in the context of J.G. Ballard, Anna Kavan, Shirley Jackson or Robert Aickman."-Lisa Tuttle, Nebula Award winner and author of Gabriel, Windhaven, and The Curious Affair of the Witch at Wayside Cross. Before an untimely mental breakdown cut short his two-decade career, Giorgio De Maria distinguished himself as one of Italy's most unique and eccentric weird fiction masters. With a background in the post-war literary culture of Turin -- Italy's urbane but eerie "city of black magic" -- De Maria drew inspiration from the Turinese underbelly of occultism, secret societies and radical politics. His writing coincided with the decade of terrorist violence known to Italians as the Years of Lead; the outcome was a weird fiction suffused with panic, rage, trauma, paranoia and meditations on antisocial hubris. In 1978, he told an interviewer: "...I think that the dimension of the fantastic, as much as this may seem paradoxical, is the most fitting one to express a reality as complex as ours today." De Maria's debut novel, The Transgressionists (1968) portrays a cell of malicious telepaths who meet in the cafés and jazz clubs of 1960s Turin to plot world domination. After experiencing the worst of their power, an embittered office clerk resolves to join them and prove himself worthy to share in their villainy. He cultivates twisted mindfulness techniques to awaken his inner sociopath. He fights off predatory phantoms that seem maddeningly drawn to him. He prepares for the dangerous "Great Leap" which will make him into a fully-fledged Transgressionist. But could his megalomania strain relations with his fiancee? Will he sacrifice love in his quest for omnipotence? The other works in this volume are no less surreal and startling. The Secret Death of Joseph Dzhugashvili (1976) gives us a nightmarish fantasy Soviet Union, where a dissident poet finds himself trapped in a psychological experiment conducted by Stalin himself. In "The End of Everydayism," a group of futuristic artists begin using corpses as a medium -- with violent, unforeseen results. The antihero of "General Trebisonda" is a possibly insane commander who prepares for a war crime in an eerily deserted fortress. Available in English for the first time, this collection contains two novellas, two short stories and a dystopian teleplay, The Appeal, which the post-cyberpunk novelist Andrea Vaccaro has lauded as "worthy of the best episodes of Black Mirror." Meanwhile, an introduction by translator Ramon Glazov offers a detailed account of De Maria's background, creative context and thoroughly unusual life.
    • Shop: buecher
    • Price: 12.52 EUR excl. shipping


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