33 Results for : breakbeat

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    Confidence
    Daniel Stefanik ist neben Matthias Kaden einer der deutschen Techno- und House-Aufsteiger. Das Album ist wie eine lange, intensive und abwechslungsreiche Nacht, der Soundtrack zum Berlin des Jahres 2012, voll Detroit, voll House-Klassik, voller Zitate aus fast 20 Jahren House- und Techno-Geschichte.Daniel Stefanik ist neben Matthias Kaden einer der deutschen Techno- und House-Aufsteiger der letzten Jahre. Seine Unbekümmertheit als DJ hinter den Plattentellern und sein sympathisches Auftreten sind geradezu bezeichnend für eine neue Generation junger deutscher Produzenten, die unter dem Einfluss von Väth, Villalobos und Hawtin auf der einen und solidem, aber hedonistischem House auf der anderen Seite sind. Während sich viele junge Produzenten in den letzten Jahren nur einer Richtung verschrieben haben, ist bei Stefanik auch der Einfluss eines Kerri Chandler, eines Chez Damier oder eines Kevin Saunderson deutlich zu hören. Sein Longplay-Debut für Cocoon Recordings ist ein Spiegelbild all dieser Einflüsse und dennoch so aktuell und zeitgenössisch wie nur wenige andere Techno- und House-Alben dieser Zeit. Confidence ist wie eine lange, intensive und abwechslungsreiche Nacht, der Soundtrack zum Berlin des Jahres 2012, voll Detroit, voll House-Klassik, voller Zitate aus fast 20 Jahren House- und Techno-Geschichte. Und voller Stolz und Zuversicht kann sich Stefanik sicher sein, genau das geschafft zu haben, was ihm vorschwebte: den Soundtrack einer Generation oder besser noch: eines Lifestyles einzufangen. Mit Confidence entlässt er uns nun entspannt nach Hause. Im Taxi, in der Bahn oder zu Fuß, die Selbstfindung des Techno-Ravers auf dem Weg nach Hause, weg von der Party, in die Entspannung... Entrance ist, wie der Name schon vermuten lässt, der Eingang zu Stefaniks Club-Welt, die Tür zur Nacht und zu den Tanzflächen der hedonistischen und dennoch düsteren Metropolen dieses Planeten. Entrance atmet Einflüsse von Detroit und Underground Resistance. Nicht schon wieder pseudo-deeper Loop-House oder gar eine weitere Neudefinition von Minimal, sondern eine Produktion mit Substanz und Tiefgang, jedoch ohne zu verkrampfen oder zu viel zu wollen. Der perfekte Beginn einer langen und coolen Nacht - der Sound, der das Tor zu einer anderen Welt aufstößt. Light On gibt den Beat des ersten Teils des Abends vor und folgt einem - wenn man so will - fast ostdeutschen House-Ansatz. House, wie ihn Marvin Dash oder auch Dub Taylor seit Jahren servieren: keine UK-Hands-Up-Attacken und auch nicht die überproduzierten US-Einflüsse aus New York, sondern leicht roh mit dem Blick für das Wesentliche: den kickenden Beat und die Stimmung ab 01:00 Uhr. Mit 1996 folgt auch schon der nächste Verweis Stefaniks auf seine Einflüsse und Referenzen. Dave Clark und Slam lassen grüßen und auch die Detroiter House-Schule um Jeff Mills und seine frühen AXIS-Produktionen sind hier zu vernehmen. Die kickende 909, der fordernde Beat und die düster anmutenden Filterflächen klingen so gar nicht nach Deutschland. Und mit Port Of Transition geht Stefanik den eingeschlagene Weg noch konsequenter weiter. Breakbeat-Elemente verschmelzen mit Detroit-Beats und Arpeggio-Linien zu einem zeitlosen Mix. Im Blindtest ist es schier unmöglich, diesen Track einer bestimmten Zeit zuzuordnen. Eine regelrechte Allzweckwaffe für die Techno-DJs dieser Welt. Distillery ist ein kleiner Break zurück zu mehr Gefühl und Flächen und zurück zu fetteren House-Beats, also der Sound, der jahrelang einen der besten Leipziger Clubs geprägt hat. House mit Wumms quasi, nicht zu happy, nicht zu schmalzig. Perfekt, um sich in die gerade begonnene Nacht fallen zu lassen, um eins zu werden mit dem Club und den Alltag zu vergessen. Eine gelungene Hommage an den wichtigsten Club Ostdeutschlands der letzten 20 Jahre! Bend The Rules führt den Hörer auf seiner Reise wieder weg aus Leipzig und hin nach Berlin, zu den langen Panoramabar-Nächten, zu hypnotischen, fast schon trance-beeinflussten Tanzmarathons und der nach und nach aufgehenden Sonne, die sich durch halb geschlossene Fensterläden ihren Weg durch die schweißgetränkte und rauchige Luft bahnt. Bend The Rules ist so etwas wie das auf einen Satz reduzierte Club- und Musik-Kharma solcher Nächte. Alles geht, alles ist möglich und nichts hält sich an die gängigen Regeln. Natürlich ist man als Augenzeuge einer solchen Nacht mit der entsprechenden Musik und Stimmung am nächsten Tag manchmal auch leicht neben der Spur, verpeilt, verstrahlt oder eben Dazed And Confused. Der Soundtrack für den langen Fußweg nach Hause, wenn einem der Club jede Energie entzogen hat... Man läuft durch die Berliner Sonne, durch die kalte Morgenluft und dennoch schweißgebadet - oder einfach doch noch mal zur nächsten Party, runter zum Fluss... runterkommen... Die Augen schließen, ohne zu schlafen... DAZED AND CONFUSED! Hier entsteht er, der Übergang zur Ewigkeit, zur nicht endenden wollenden Party, zum weitermachen. Und dafür wird vom späten Morgen bis zum Mittag kein Hedonismus mehr benötigt, nur noch die Stimmung zählt. Diese Stimmung zwischen frischem Wind, viel zu greller Sonne und Menschen, die einen schon seit einer gefühlten Ewigkeit durch diese Nacht begleiten. Keep On bringt all das auf den Punkt: das Bier in der Hand und den Blick auf den After Hour Floor gerichtet, Stefanik hat es genau getroffen! Confidence bildet dann den gelungenen Schlusspunkt einer langen, intensiven und abwechslungsreichen Nacht, den Soundtrack zum Berlin des Jahres 2012, voll Detroit, voll House-Klassik, voller Zitate aus fast 20 Jahren House- und Techno-Geschichte. Und voller Stolz und Zuversicht kann sich Stefanik sicher sein, genau das geschafft zu haben, was ihm vorschwebte: den Soundtrack einer Generation oder besser noch: eines Lifestyles einzufangen. Mit Confidence entlässt er uns nun entspannt nach Hause. Im Taxi, in der Bahn oder zu Fuß, die Selbstfindung des Techno-Ravers auf dem Weg nach Hause, weg von der Party, in die Entspannung... Das nächste Wochenende kommt bestimmt. TRACKS: 1. Entrance 2. Light On 3. 1996 4. Port Of Transition 5. Distillery 6. Bend The Rules 7. Dazed And Confused 8. Keep On (Version II) 9. Confidence
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    The Havana Remixes
    Acht handverlesene Produzenten, DJs und Künstlergruppen, jeweils Meister ihres Faches, haben ihre Lieblingssongs aus "Havana '58", dem vielgepriesenen, vierten Studioalbum vom Bahama Soul Club zum Remixen ausgewählt. Das Ergebnis: "The Havana Remixes". Sehr eigene, individuelle und teilweise unerwartete Interpretationen der ohnehin schon außergewöhnlichen Originale. Das ist feinster Dancefloor Jazz in den Schattierungen Latin, House, Jazz, Funk, Soul & Disco präsentiert von: Club Des Belugas - 60s Boogaloo Hip-Twist Smoove - Fusion of Jazz-house and Breakbeat Opolopo - deeeep jazzy House Positive Flow - Nu-skool Brazilika-brukbeat Zouzoulectric&Gardener Of Delight - Disco-Latin-House-Funk Suonho - Modern-Soul Disco-Funk Jack&Jointz - Latin funky breaks Maestro&Vezzola - Disco-Latin-House-Funk Die Vinyledition enthält exclusiv spezielle Radio-Edits von allen Tracks. Auf der CD sind die Remixe in den Originallängen.
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    BREAKBEAT MASSIVE
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    Table Top Racing Nitro (Code in a Box) (Switch)
    Setze dich hinter das Steuer von 16 ultra-coolen Modellrennautos und kämpfe wie ein professioneller Rennfahrer um jede Sekunde Rundenzeit. Meistere über 30 verschiedene Tischrennstrecken und über 180 Veranstaltungen und stelle dich danach online den Besten der Welt im Kampf um Ruhm und Ehre.Auf Nintendo Switch kannst du auch auch mit einem Freund zusammen spielen! Fahrt Online- oder Offline-Rennen über Splitscreen in zwei Spielmodi. Liefere dir packende Kopf-an-Kopf-Rennen gegen KI-Spieler im "Splitscreen Vs.-Battle"-Modus oder miss dich im "Splitscreen Online"-Modus im Internet mit der ganzen Welt!Zerschmettere deine Gegner mit acht raffinierten "Power-Ups" und sechs einzigartigen "Weapon Wheels" - und rase zum Sieg!Mit Miniaturautos über Tischrennstrecken heizen - das hat noch nie so gut ausgesehen oder so viel Spaß gemacht.Features:- Zwei-Spieler-Gameplay mit Splitscreen, sowohl offline als auch online- Mehrspieler-Kampfrennen mit bis zu acht Spielern, nur online- Neun einzigartige Spielmodi, die über die Meisterschaften verteilt sind- 32 Tischrennstrecken in acht Themenbereichen (vier Rennstrecken pro Region)- 16 super-coole, voll aufrüstbare Miniaturrennwagen- Über 180 einzigartige Rennveranstaltungen, um Ihre Fähigkeiten herauszufordern. Über 25 Stunden Spielerlebnis!- Acht clevere "Power-Up"-Waffen wurden dazu entwickelt, um Gegner anzugreifen und auszubremsen, oder um dich selbst zu schützen- Sechs einzigartige "Weapon Wheels" helfen dir, einen Vorteil gegenüber deinen Rivalen zu erlangen- Exklusiver, funkiger BreakBeat-Soundtrack des Produzenten Wes Smith von Juice RecordingsHinweis: Nur Downloadcode. Keine Softwarekarte enthalten.
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    Sui Generis
    Nav-Vii (pronounced: Nah-Vee). A native of San Francisco, California, Nav-Vii now resides in Atlanta, Georgia. His music career kicked off in Atlanta, Georgia in 2005, and since that time has made a big name for himself in the underground music scene. With a broad fan base internationally, Nav-Vii has groomed his eclectic style to perfection. Nav-Vii is an expert with many unique musical details which makes his style very original and hard to compare to other musicians. When asked who he admires the most in music, he replied: "I truly admire musicians of all kinds and any creativity that expresses each person as an individual." As broad musically as an artist can be, Nav-Vii has several tracks that show appreciation in many different genres. If you listen carefully, you will hear many drum patterns and synthesizers that are simply unmatched in modern Ambient Electronica music. Throughout his music you will hear a strong Ambient, Soundtrack, Electronica, Trance, Breakbeat, Ghetto Tech, House and at times a Hip Hop feel. What is most astonishing about Nav-Vii's music talent is not only his ability as a music producer, but his skillful ability as a vocalist and writer. Fans and artists' alike have hailed Nav-Vii "The King of Ambient Electronica Music" which would be hard to argue when you compare his rhythmic style and mind-blowing synthesizers. In September 2008, Nav-Vii released 'All These Questions' which for many was the metamorphosis of Nav-Vii into the list of most talented Ambient Electronica musicians. In September 2009, the metamorphosis went beyond what many of his fans ever expected. 'Temple of Envy' which Nav-Vii calls his 'obra maestra' clearly shows not only how talented he is as a writer, but how brilliantly he is vocally. 'Temple of Envy' left many fans and artists wondering what Nav-Vii will musically manifest next. In June 2010, the long anticipated "The Wait of the World" was released. Nav-Vii's comment on the album was simply "I have finally mastered my style." However you want to interpret that comment, you should be as excited as all his diehard fans about the album. In April 2011, Nav-Vii released his first album with a slightly new style. The new changes have definitely accentuated the traditional arrangements and instrumentation of Nav-Vii's traditional sound and added more energy to the songs. In addition, these changes brought out the important elements in Nav-Vii's musical style and lyrics. All of these adjustments have propelled Nav-Vii's latest Album "Sui generis" to a new height of popularity. Tracks like "It's Going Down," "Sui generis," and "One Two Dejavu," force you to respect his Hip Hop swagger which is practically unheard of from an electronica musician. Tracks "I Came Into This World," Mr. Fly Guy," "Stars Over Japan," "Planet NV" and several others are sure to excite Nav-Vii's loyal Ambient/Electronica fan base. Currently in collaboration with various artists around the globe, we should expect many great things in the future from this Atlanta based super talent. Nav-Vii is sincerely thankful to all his fans and encourages everyone to dream big and always have passion for what you love and stand for.
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    Count the Heartbeats
    This album was selected as a Top Album in both of it's categories, 'Breakbeat/Breaks' and 'Chill Out.' The single, 'Pulse,' was in the top ten 'Top Songs' in both the 'Breakbeat/Breaks' and 'Chill Out' categories, and was the #1 Top Song in the 'Breakbeat/Breaks' category.
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    Scrambodia
    Eleven tracks of soul-infused alternapop, Scrambodia conjures the infectious hooks of Sly and the Family Stone, the production wizardry of Beck, and the electrofunktastic street sounds of the Future Shock era. The style is catchy: throwback but forward-looking. The trademarks are all there: the harmonies, the horn lines, the left field song changes. And now Signor Groove adds breakbeat funk to his already kaleidoscopic palette. (Not to mention the tripped out keyboard sound made famous in The Rockford Files Theme song.) From the hip-shaking clav riff of 'Quarterhip' to the absurdist, P-Funk-esque jam 'Pirate Killer Got Seasick', Scrambodia is candy for your ears.
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    Underground, Vol. 4: Come On...Blaze Ahead...!
    Eleven bands with two tracks each lovingly recorded at Mark 1 Music Centre (apart from Sushi Robot) and released on 6 May 2011. Here is the track listing and the names of the bands who created them: 1. ????? - Senseless 2. ??? - Senseless 3. ?? ?? - Purple Eye 4. That's My Way to Love You - Purple Eye 5. (Use it) for what it's for - Helter Skelter 6. Rocketship - Helter Skelter 7. Push Me - Sushi Robot 8. Living in the Face of Danger - Sushi Robot 9. Salamander - FAD 10. So Tired - FAD 11. My Personal Demon - Dark Himaya 12. Papercut in your Eyes - Dark Himaya 13. Buckshot - Six Pack of Wolves 14. Punk Rock Story - Six Pack of Wolves 15. Hanging Around the Clouds - Brothers of Roadkill 16. Questions & Doubts - Brothers of Roadkill 17. Ropes - 9 Maps 18. Harder Times - 9 Maps 19. 852 - Shotgun Politics 20. PILL - Shotgun Politics 21. Your Eyes - Corey Tam 22. Honey - Corey Tam A punchy description about each of the bands for your reference! Senseless: Energetic Poppy Punkie Canto ROCK! ??????????????! Purple Eye: Mysterious music with passion and gloom, the music adventurers creates new sense of acoustic sound. ???????????????????????? Helter Skelter: Addictive, foot-stomping rock that blends blues-based riffs, energy-infused performances and infectious melodies. ?????????????, ????????????????? Sushi Robot: Producers of Breakbeat, Drum & Bass, Electronica. ???Breakbeat?Drum & Bass?Electonica?????????? Six Pack of Wolves: Punk Rock meets poetry in anguished coming-of-age themed songs performed with an adult's smile. ????????! ????????????????? Dark Himaya: "A deliciously dark mix of grunge, pop rock, jazz and atmosphere. Stories of melancholy abound" Grunge??????????????! ??????????????????????? FAD: British. Faddish. Alternative. Naive. Taste like a cream tea, bittersweet but not a symphony. ???????????,????,???????? Brothers of Roadkill Melding jazz, R&B, blues, Motown and rock into a unique musical experience...devoid of guitar. ?????R&B????Motown???????????????, ??????????! 9 Maps: Modern folk, a little bit of indie rock and a touch of jazz. ??????, ????????????????? Shotgun Politics: 'Party-rockers famous for devastatingly energetic shows, combining the power of pop with mayhem of metal.' ?????rockers! ??????????, ?????????????????? Corey Tam: Folk-Rock Trio that blends together sombre vocal melodies and intricate guitar hooks ???????????????, ?????????????????????
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    Bong 93 E.P
    Recent press and radio The E.P has recieved airplay from radio stations across the world incuding Radio one - Huw Stephens Radio one - Rob Da Bank Josef Sedlon, Radio 1 (Prague) Tilos FM Radio, Bucharest (Hungary) Alooga Radio (Germany) Fuel, Xm Radio (Chicago, USA) DI FM, Duy do (USA) 209 radio (UK) the Alien air show on KXLU FM Radio (Cal, US) Fm cocolo (Japan) Angus Robinson, Money shot radio, Proton (US) Spacelab (US) Ibreaks - Lifecycle show (UK) FREAKIN RADIO - UNDERGROUND WEB BEATS It has also recieved some Good reviews Magazine Reviews Textura mag Bong 93 presents four aggressive samplings of dance-oriented futurama from Dogmixer (London, UK-based electronica producer/musician Matt Watts). The title cut's all acidy mayhem and grinding breaks while Watts' dystopic blend of chugging electro-techno gets a panoramic workout on 'Who Are You?' In a funky, breaks-centered remix, Lifecycle (Geoff Dent) turns 'Bong 93' into a tripped-out blaze of drums and percussion. The EP's best cut might be 'Mind in Motion (666 remix)' where Watts pairs a cryptic voiceover with an elastically tight locomotive steam that verges on trance it's so insistent. The Dogmixer style is purposefully punk-flavoured but isn't so tough that emotive melodies don't find their way into the mix now and then. Bong 93 is both Dogmixer's second EP and Replicant Society's second release and bodes well for both (future releases include a label comp and Dogmixer's Telecommunications full-length). January 2007 Barcode magazine New release from London-based producer/musician Matt Watts on his own record label, Replicant Society. Bong 93 is Dogmixer's third EP release, and having heard this I wouldn't mind investigating those either. Four tracks are on show - the title track opening with gusto, a sharply produced instrumental with edgy guitar sounds buried amongst lashings of warbling keys and film samples - it's thick on atmosphere. Virtually all the tracks follow this path, and whilst there's nothing particularly original going on, the mood, melodies and production ensure captivating results. Who Are You? is a marvellous track, bustling along like a steam train with seething synths winding around a cacophony of speech samples and chugging rhythms - the speeded beats are repetitive but appropriate. This track in particular reminded me of a band called Noise Unit - a side-project by Bill Leeb & Rhys Fulber. All in all, a very solid release of fast-paced atmospheric dance/soundtrack music with some choice melodies - well worth investigating 7.5/10 365 mag Dogmixer is the moniker of British producer Matt Watts, a versatile producer in the field of electronic music since 2002 who refuses to be categorized as a ´one-style only artist´. Eclectisism is his middle name, as he has been exploring the realsm of electronica, techno, IDM and, using the Dogmixer alias, breaks. Bong 93 is the 2nd EP released under the Dogmixer alias that already saw the support of Rob Da Bank, Huw Stevens and leftfield club DJ's. The release starts off with the original version of Bong 93, which immediately kicks in with a supersonic sequence of breaks ans warm synthesizers. Unlike other breakbeat-esque tracks, this one comes with a rather futuristic vibe. The choice of trancey synths, warm sound effects and intense drum sounds result in a unique atmosphere that made me think of a high-speed video racing game. Nice one! Who Are You? introduces a series of soft synths and reverb sounds, after which the rhythm kicks. The beats and percussion are in a less complex structure as in Bong 93, yet the dark synths and effects give this one a similar sonic vibe in full overdrive. The break features a trancending and dreamy blend of various synths and bleeps, after which the track rock on with more ferocious beats and cool effetcs. Track number three, entitled Mind In Motion (666 Remix) reduces the tempo to a more housey groove, with a cool vocal sample introducing the actual rhythm. The cool thing about this one is that it features that warm atmosphere as heard in the uptempo breaks tracks, but that the frenzy beats have been replaced with easy-going beats and claps. Progressive meets house, resulting in a fine piece of electronic music. Closing the disc is Bong 93 (Lifecycle Remix), which builds up to a solid rhythm with an uptempo sequence full of bongo's, drums and a sliced-up vocal sample. The rhythm sounds more mechanic on this one, like a factory machine on acid, but it will certainly be of big effect on dancefloors and festivals. The synths on this one are great, adding real value and melody to the track, without scaring the ladies off the dancefloor. Bong 93 is a remarkable release in the breaks genre, as it features a supersonic vibe that is unique in it's kind. For some reason, the sound of it made me feel like tuning my car, building in a 100.000 watt subwoofer, and race towards the horizon while breaking the sound barrier. Well, something like that anyway. I can recommned this release to any break DJ who is into prolific sounds and intelligent strutures, as it is more than able to raise the level of adrenaline of people regardless of their location. Youri Jozee (NL) 7.5/10 One week to live Magazine Starting with a sample of Patrick McGoohan's proclamation about not being a number, this one fights it's way out of the 'phones with a jumbled beat and some killer synths. At times, it seems the drumming is random, missing beats here and there and adding too many at one time, but it's clearly intentional and it works. Over the top of this is an exhilarating electro treble synth that zigzags over the breakdown, underpinned by a foundation of wah wah sounding bass synth and machine gun drum fills. Flip side 'Who are you?' is a bass laden breakbeat number, with shards of techno bristling out of it like a sonic hedgehog. 'Mind in Motion' throws down a swerving piano bassline, and is quite the deep house number. A nice contrast. 5/7 Tasty fanzine Bong 93 is a dance-friendly intelligent techno type affair which joins the likes of Glasgow's Satellite Dub and Paul Hartnoll's solo stuff in forging a way for new, more organic sounding electro. Reverbing keyboard melodies are the mainstay of the sound over the top of the break beats which underpin a driving rhythm, especially in 'Who Are You?'. Spartan use of some film track sci-fi samples and a an off kilter breakdown after about 4 minutes make for exciting listening. The housier 'Mind in Motion' deals in more lightly off-kilter key changes, unpredictable stop starts and more clever use of samples to animate the pauses and string the whole thing together. Accomplished work. Butterfly crush mag Dogmixer, Bong 93 EP On Bong 93, a Christmas release-date collection of markedly un-festive electronic wizardry, dystopia-fascinated Londoner Matt Watts presents - as promised - a sterner, more breakbeat-familiar proceeding than that offered by his Coasting EP of 2005. Happily, it transpires, the potency of the seductive, oneiric mystique that is Matt Dogmixer's calling-card is none the worse for it. On this EP's title track, the insect-like penetration of acid bass and a scuzzy grime-scene hook press darkly, like sentient forest-shadows, inwards and downwards on the listener's space. Otherworldly melody and dialogue sampled from The Prisoner, a show with scripts famously rich in metaphysical suggestion and psychotropic experimentation, complete one's impression of an electronic soundscape symbolising the unconscious mind - music for the world dreaming badly. The track's reworking by Lifecycle, more linear in form and less attritional in tone, is shrewd and efficient in drawing out and heightening both the hypnotic rhythmic impetus and the melancholic unease of the original mix. 'Who Are You?' constructs a more rapid and assassin-stealthy vehicle for the transmission of the Dogmixer's compelling spectral atmospheres and melodies, but reproduces to a tee the air of psychological intrigue and a
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    Sweet Taste of Sin: Sensual Breakbeat Soul
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