26 Results for : queasy

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    'His Name Is George Floyd is essential for our times.' Ibram X. Kendi, author of How to Be an AntiracistYou know how he died. This is how he lived.Who was George Floyd? What did he hope for? What was life like for him? And why has his death been the catalyst for such a powerful global response?The murder of George Floyd sparked a summer of activism and unrest all over the world in 2020, from Shetland to São Paolo, as people marched under the Black Lives Matter banner, demanding an end to racial injustice. But behind a face that would be graffitied onto countless murals, and a name that has become synonymous with civil rights, there is the reality of one man's stolen life.In His Name is George Floyd we meet the kind young boy who talked his friends out of beating up a skinny kid from another neighbourhood and then befriended him on the walk home. Big Floyd the high school American football player who ignored his coach's pleas to be more aggressive and felt queasy at the sight of blood. The man who fell victim to an opioid epidemic we are only just beginning to understand. The sensitive son and loving father, constantly in search of a better life in a society determined to write him off based on things he had no control over: where he grew up, the size of his body and the colour of his skin. Drawing upon hundreds of interviews with friends and family members, His Name Is George Floyd reveals the myriad ways that structural racism shaped Floyd's life and death - from his forebears' roots in slavery to an underfunded education, the overpolicing of his community and the devastating snare of the prison system. By offering us an intimate portrait of this one, emblematic life, Robert Samuels and Toluse Olorunnipa deliver a powerful and moving exploration of how a man who simply wanted to breathe ended up touching the world.
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    • Price: 14.99 EUR excl. shipping
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    'His Name Is George Floyd is essential for our times.' Ibram X. Kendi, author of How to Be an Antiracist You know how he died. This is how he lived. Who was George Floyd? What did he hope for? What was life like for him? And why has his death been the catalyst for such a powerful global response? The murder of George Floyd sparked a summer of activism and unrest all over the world in 2020, from Shetland to São Paolo, as people marched under the Black Lives Matter banner, demanding an end to racial injustice. But behind a face that would be graffitied onto countless murals, and a name that has become synonymous with civil rights, there is the reality of one man's stolen life. In His Name is George Floyd we meet the kind young boy who talked his friends out of beating up a skinny kid from another neighbourhood and then befriended him on the walk home. Big Floyd the high school American football player who ignored his coach's pleas to be more aggressive and felt queasy at the sight of blood. The man who fell victim to an opioid epidemic we are only just beginning to understand. The sensitive son and loving father, constantly in search of a better life in a society determined to write him off based on things he had no control over: where he grew up, the size of his body and the colour of his skin. Drawing upon hundreds of interviews with friends and family members, His Name Is George Floyd reveals the myriad ways that structural racism shaped Floyd's life and death - from his forebears' roots in slavery to an underfunded education, the overpolicing of his community and the devastating snare of the prison system. By offering us an intimate portrait of this one, emblematic life, Robert Samuels and Toluse Olorunnipa deliver a powerful and moving exploration of how a man who simply wanted to breathe ended up touching the world.
    • Shop: buecher
    • Price: 15.99 EUR excl. shipping
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    'His Name Is George Floyd is essential for our times.' Ibram X. Kendi, author of How to Be an Antiracist You know how he died. This is how he lived. Who was George Floyd? What did he hope for? What was life like for him? And why has his death been the catalyst for such a powerful global response? The murder of George Floyd sparked a summer of activism and unrest all over the world in 2020, from Shetland to São Paolo, as people marched under the Black Lives Matter banner, demanding an end to racial injustice. But behind a face that would be graffitied onto countless murals, and a name that has become synonymous with civil rights, there is the reality of one man's stolen life. In His Name is George Floyd we meet the kind young boy who talked his friends out of beating up a skinny kid from another neighbourhood and then befriended him on the walk home. Big Floyd the high school American football player who ignored his coach's pleas to be more aggressive and felt queasy at the sight of blood. The man who fell victim to an opioid epidemic we are only just beginning to understand. The sensitive son and loving father, constantly in search of a better life in a society determined to write him off based on things he had no control over: where he grew up, the size of his body and the colour of his skin. Drawing upon hundreds of interviews with friends and family members, His Name Is George Floyd reveals the myriad ways that structural racism shaped Floyd's life and death - from his forebears' roots in slavery to an underfunded education, the overpolicing of his community and the devastating snare of the prison system. By offering us an intimate portrait of this one, emblematic life, Robert Samuels and Toluse Olorunnipa deliver a powerful and moving exploration of how a man who simply wanted to breathe ended up touching the world.
    • Shop: buecher
    • Price: 22.99 EUR excl. shipping
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    • Shop: odax
    • Price: 6.18 EUR excl. shipping
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    • Shop: odax
    • Price: 25.17 EUR excl. shipping
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    Review by Mick Mercer: 'The Night's Last Tomorrow' As satisfying as last year's darkly compelling 'A Southern Tale' this album relaxes in some comfort. Sinnis has achieved a type of decisive bleakness here which means he can do it almost softly, as the Gothic and Country influences melt lazily or hazily together. Where 'A Southern Tale' seemed a closeted collection, as though recorded indoors secretively, trying to keep something out and thoughts locked in, this album seems bathed in cool light, as though recorded outdoors. Never maudlin, while definitely moving on from glass-half-empty to gargling-poison-dismissively, it takes dark moods and lightens the load while you listen. 'The Night's Last Tomorrow' is a wonderfully drippy thing, the delicate balance seemingly suspended from the steel guitar, as quality lyrics also hover, Sinnis' vocals quivering somewhat but sticking to the point in a masterful display. It lulls you completely, because in another style it could be deeply depressing but here it's a curiously blissful opener. In the troubled '15 Miles To Hell's Gate' he's like a swashbuckling son of Johnny Cash, swaying and crooning dramatically, then we move towards an almost laconic 'Your Past May Come Back To Haunt Me' which unrolls a soothing red carpet beneath twisted, suspicious lyrics all demurely wrapped in a smartly delineated arrangement that harnesses past styles and modern attitudes, allowing menace to mellow. 'Fallible Friend' could just as easily go with some mariachi, or frisky acoustic, but it's a plain and simple song instead, moving at a steady grim pace, like a crotchety Clint Eastwood whittling his own wooden leg. Time slows, it's that stately. 'Follow the Line' is easier on the ear, lilting musically while the vocals threaten to tip over the edge, which is almost out of character in this setting. An unexpected and dignified cover of 'Nine While Nine' also works very well with a refined delivery. We slide down a creepy chute during 'The Fever' with some queasy imagery, then skate warily over a playful lake of doubt in 'Skeletons' with it's cunning use of organ. 'Scars' is odd, like an old Simon & Garfunkel melody squashed flat, a fridge over befuddled slaughter, and the traditional 'St. James Infirmary' is very strange as well, as befits a song so old the original creator isn't positively known. This is a melodramatic piece of doom, where the words clash with the properly agonised mood. The protagonist's love is dead, in the mortuary (I assume) and he's proudly proclaiming, 'she'll never find another man like me.' Well, how gallant, unless I'm missing something? We touch down again on a softly sentimental 'Out of Reach', and perk up during the fabulous 'Quiet Change' which has a rising commercial tug about it, and then during a brilliant 'Gloomy Sunday' you get to see what Sinnis can do when cooped up with an unlikely task, like Roy Orbison walking down subterranean corridors, alone in the dark. Rewriting a well known song he tinkers with certain lines and while he changes the end for what must have been a personal need, at one point he actually improves a line completely and there's not many people can do that, which may explain why on his website lyrics are referred to defiantly as poetry. 'In Harmony' will confuse as the churchy feel professes a quiet relief that death is approaching, as a friend, in catchy surroundings, then it all dies slowly away for good with the suitably sensitive 'When the Light Blinds and You Follow' A remarkably assured album this, and in many ways it must be quite funny for him, considering his punky past. I bet half his relatives are thinking, 'he was bound to come to his senses eventually.' Mature, melodic and at times as restful as it is haunting, this is really quite superb and as he's releasing an album ever year you wonder when he'll peak, because this is still just the ascent.
    • Shop: odax
    • Price: 26.63 EUR excl. shipping


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