27 Results for : scud
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RIDEX Glühlampe, Fernscheinwerfer 106B0011 VW,AUDI,MERCEDES-BENZ,Polo Schrägheck (6R1, 6C1)
Lampenart: H4; Sockelausführung: P 45t; Spannung [V]: 12; Nennleistung [W]: 60/55; wahlweise: ; Leuchten-Bauart: Halogen; Ausstattungsvariante: Einfachscheinwerfer; VW: Polo Schrägheck (6R1, 6C1),Transporter IV Bus (70B, 70C, 7DB, 7DK, 70J, 70K, 7DC, 7DJ),PASSAT Variant (3B6),Lupo (6X1, 6E1),GOLF III (1H1),Caddy III Kombi (2KB, 2KJ, 2CB, 2CJ),Transporter V Bus (7HB, 7HJ, 7EB, 7EJ, 7EF, 7EG, 7HF, 7EC),GOLF II (19E, 1G1),POLO (6N2),Multivan V (7HM, 7HN, 7HF, 7EF, 7EM, 7EN),SHARAN (7M8, 7M9, 7M6),up! Schrägheck (121, 122, BL1, BL2),Fox Schrägheck (5Z1, 5Z3, 5Z4),PASSAT Variant (3B5),Polo Schrägheck (6N1),Transporter V Kastenwagen (7HA, 7HH, 7EA, 7EH),Caddy III Kastenwagen (2KA, 2KH, 2CA, 2CH),GOLF I Cabriolet (155),PASSAT Variant (3A5, 35I),Transporter IV Kastenwagen (70A, 70H, 7DA, 7DH),Golf III Cabrio (1E7),Golf IV Cabrio (1E),Bora Limousine (1J2),PASSAT (3B2),TRANSPORTER III Bus,PASSAT (3B3),CADDY IV Kombi (SAB, SAJ),Bora Variant (1J6),Polo Coupe (86C, 80),GOLF III Variant (1H5),Polo Schrägheck (86C, 80),Transporter IV Pritsche / Fahrgestell (70E, 70L, 70M, 7DE, 7DL),Multivan VI (SGF, SGM, SGN),GOLF I (17),CORRADO (53I),SCIROCCO (53B);; AUDI: A3 Schrägheck (8L1),A4 Limousine (8D2, B5),A4 Avant (8D5, B5),80 Limousine (8C2, B4),100 Limousine (44, 44Q, C3),80 (89, 89Q, 8A, B3),100 Limousine (4A2, C4),80 Avant (8C5, B4),80 (81, 85, B2),COUPE (89, 8B),90 (89, 89Q, 8A, B3),100 Avant (4A5, C4),100 Avant (44, 44Q, C3),COUPE (81, 85),V8 (441, 442, 4C2, 4C8),QUATTRO (85),200 (43),80 (80, 82, B1),200 Limousine (44, 44Q),90 (81, 85, B2),100 (C1),50 (86),100 Coupe (C1),200 Avant (44, 44Q),100 (43, C2),100 Avant (43, C2),SUPER 90; MERCEDES-BENZ: 190 (W201),Stufenheck (W124),SL (R129),SL (R107),Stufenheck (W123),S-Klasse Limousine (W126),G-Klasse SUV (W463),E-Klasse Limousine (W124),W124 T-modell (S124),W124 Coupe (C124),G-Klasse SUV (W460),E-Klasse T-modell (S124),SPRINTER 3-t Kasten (903),VITO Bus (638),W123 Coupe (C123),S-Klasse Limousine (W116),SPRINTER 2-t Kasten (901, 902),G-Klasse SUV (W461),SPRINTER 2-t Bus (901, 902),CITAN Kasten (415),Citan Kombi / Tourer (415),SPRINTER 3-t Bus (903),V-Klasse (W638/2),T1 Bus (601),W123 T-modell (S123),SPRINTER 3-t Pritsche/Fahrgestell (903),T2/L Kasten/Kombi,E-Klasse Cabrio (A124),T1 Kasten (602),100 Bus (631),E-Klasse Coupe (C124),T2/LN1 Kasten/Kombi,T1 Pritsche/Fahrgestell (602),VITO Kasten (638),100 Kasten (631),T1 Pritsche/Fahrgestell (601),SPRINTER 4-t Pritsche/Fahrgestell (904),T1 Kastenwagen (601, 611),W124 Cabrio (A124),SPRINTER 2-t Pritsche/Fahrgestell (901, 902),T2/L Pritsche/Fahrgestell,100 Pritsche/Fahrgestell (631),SPRINTER 4-t Kasten (904),T1 Bus (602),MB-TRAC,O 100; BMW: 02 (E10),5 Limousine (E28),3 Limousine (E21),7 (E23),2500-3300 (E3) Limousine,1500-2000 (115, 116, 118, 121),02 Touring (E6),02 Cabriolet (E10),1600 GT Coupe; OPEL: Corsa B Schrägheck (S93),AGILA (A) (H00),Kadett E CC (T85),Astra F CC (T92),Vivaro A Kastenwagen (X83),Omega A Limousine (V87),Vivaro A Combi (X83),Astra F Caravan (T92),Frontera B SUV (U99),AGILA (B) (H08),KADETT D (31_-34_, 41_-44_),Vectra A Limousine (J89),Vivaro B Combi (X82),Karl (C16),Movano Kastenwagen (X70),Astra F Cabrio (T92),Corsa A CC (S83),MANTA B (58_, 59_),KADETT C Coupe,Vivaro B Kastenwagen (X82),OPEL,Frontera A SUV (U92),Astra F Limousine (T92),MONZA A (22_),Frontera A Sport SUV Cabrio (U92),SENATOR A (29_),Sintra (APV),Ascona C Limousine (J82),KADETT C,Vectra A CC (J89),Senator B (V88),Kadett E Cabrio (T85),REKORD E (17_-19_, 11_, 14_, 16_),Omega A Caravan (V87),Campo (TF0, TF1),COMBO (71_),Movano Bus (X70),Kadett E Limousine (T85),Vivaro A Pritsche / Fahrgestell (X83),Monterey A (M92),Astra F Classic Caravan (T92),Astra F Classic CC (T92),Astra F Classic Limousine (T92),Ascona C CC (J82),MANTA B CC (53_, 55_),Movano Pritsche / Fahrgestell (X70);; FORD: FOCUS (DAW, DBW),FOCUS Kombi (DNW),FUSION (JU_),KA (RU8),GALAXY (WGR),Fiesta Mk4 Schrägheck (JAS, JBS),RANGER (TKE),TRANSIT MK-7 Kasten,ECOSPORT,TRANSIT MK-7 Bus,FOCUS Stufenheck (DFW),TRANSIT CONNECT (P65_, P70_, P80_),TRANSIT Kasten (FA_ _),TRANSIT Bus (FD_ _, FB_ _, FS_ _, FZ_ _, FC_ _),FIESTA III (GFJ),Ranger (ET),TRANSIT MK-7 Pritsche/Fahrgestell,RANGER (ER, EQ),TRANSIT Pritsche/Fahrgestell (FM_ _, FN_ _),TOURNEO CONNECT,ESCORT IV Cabriolet (ALF),TRANSIT TOURNEO FB,SIERRA (GBG, GB4),Escort VI Cabrio (ALL),Escort VI Schrägheck (GAL, AAL, ABL),Fiesta Mk5 Kastenwagen,ESCORT IV (GAF, AWF, ABFT),TRANSIT MK-5 Bus (E_ _),KA+ Schrägheck (UK, FK),Escort V Schrägheck (GAL),Escort V Cabrio (ALL),FIESTA II (FBD),TRANSIT Kasten (T_ _),SIERRA Schrägheck (GBC, GBG),Fiesta Mk4 (J3S, J5S),GRANADA (GU),TRANSIT Bus (V_ _),Transit Mk4 Pritsche/Fahrgestell (VE83),ESCORT V Cabriolet (ALL),Escort VI Kombi (GAL, ANL),ESCORT III (GAA),FIESTA I (GFBT),SCORPIO I (GAE, GGE),TRANSIT B; RENAULT: TWINGO I (C06_),CLIO II (BB0/1/2_, CB0/1/2_),TWINGO II (CN0_),KANGOO (KC0/1_),Twingo III Schrägheck (BCM_),Scénic I (JA0/1_, FA0_),MEGANE Scenic (JA0/1_),KANGOO / GRAND KANGOO (KW0/1_),MASTER II Kasten (FD),TRAFIC II Kasten (FL),TRAFIC II Bus (JL),KANGOO Express (FC0/1_),MEGANE I (BA0/1_),KANGOO Express (FW0/1_),Twizy (MAM_),Trafic III Kastenwagen (FG_),MEGANE I Cabriolet (EA0/1_),TWINGO I Kasten (S06_),Trafic III Bus (JG_),CLIO I (B/C57_, 5/357_),KANGOO BE BOP (KW0/1_),MEGANE I Grandtour (KA0/1_),MASTER II Pritsche/Fahrgestell (ED/HD/UD),21 Kombi (K48_),MASTER II Bus (JD),MEGANE I Classic (LA0/1_),MEGANE I Coach (DA0/1_),SUPER 5 (B/C40_),19 II (B/C53_),ESPACE II (J/S63_),5 (122_),19 II Cabriolet (D53_, 853_),CLIO II Kasten (SB0/1/2_),RAPID Kasten (F40_, G40_),19 I (B/C53_),9 Limousine (L42_),TRAFIC Bus (TXW),TRAFIC Kasten (TXX),25 (B29_),11 (B/C37_),19 I Chamade (L53_),Alaskan Pickup,Sandero / Stepway II (B8_),ESPACE I (J11_),19 II Chamade (L53_),TRAFIC Bus (T5,; FIAT: GRANDE PUNTO (199),PANDA (169),DUCATO Pritsche/Fahrgestell (230),PUNTO EVO (199),DUCATO Bus (230),Seicento / 600 Schrägheck (187_),DUCATO Kasten (290),Panda Schrägheck (312_, 319_),500X (334_),PUNTO (199),DUCATO Kasten (230L),PANDA Van (169),PUNTO (176),Scudo (270_, 272_),QUBO (225),CINQUECENTO (170),Strada Pickup (178_),Sedici (FY_),Scudo Kastenwagen (270_, 272_),FIORINO Kasten/Kombi (225),X 1/9 (128_),Uno Schrägheck (146_),PUNTO Cabriolet (176C),Panda Van (312_, 519_),TALENTO Bus (296_),127 Schrägheck (127_),Fullback Pickup (502, 503),PUNTO Van (199),GRANDE PUNTO Van (199_),PUNTO EVO Van (199_),TALENTO Kasten (296_),FIORINO Kasten (146),TALENTO Kasten/Kombi (296_),TIPO (160),Seicento / 600 Van (287_),CROMA (154),Strada Pickup (278_),TALENTO Pritsche/Fahrgestell (290),TEMPRA (159),RITMO I (138A),FIORINO Pick up (146),PUNTO Van (176L),TALENTO Bus (290),FIORINO (147),TEMPRA S.W. (159),RITMO Cabriolet,TALENTO Kasten (290),127 Panorama (127_),REGATA (138),SCUD; SKODA: Fabia II Schrägheck (542),YETI (5L),ROOMSTER (5J),Octavia I Combi (1U5),FABIA (NJ3),FABIA Kombi (NJ5),CITIGO,OCTAVIA (1U2),ROOMSTER Praktik (5J),FELICIA I (6U1),Felicia I Pickup (6UF, 6U7),FELICIA II (6U1),105,120 (742),FELICIA I Kombi (6U5),FAVORIT (781),FELICIA II Kombi (6U5),FAVORIT Forman (785),105,120 (744),Octavia Limousine,FAVORIT Pick-up (787),Rapid Coupe (120G, 130G, 135G); PEUGEOT: 107 Schrägheck (PM_, PN_),106 II Schrägheck (1A_, 1C_),PARTNER Tepee,306 Schrägheck (7A, 7C, N3, N5),1007 (KM_),PARTNER Combispace (5F),PARTNER Kasten (5),106 I (1A, 1C),EXPERT Kasten (VF3A_, VF3U_, VF3X_),PARTNER Kasten,Expert Tepee (VF3X_),BOXER Kasten (230L),Expert Kastenwagen (V_),BOXER Bus (230P),BIPPER (AA_),EXPERT Kasten (222),304 Cabriolet (_04B_),309 II (3C, 3A),206 Kastenwagen,504 Cabriolet,BOXER Pritsche/Fahrgestell (ZCT_),504 (A_, M_),BIPPER Tepee,Expert (224_),505 (551A),309 I (10C, 10A),106 II Kasten / Schrägheck (1S_),405 I (15B),504 Coupe,405 II (4B),104,604 (561A_),405 I Break (15E),505 Break (551D),305 II (581M),304 (_04M_),405 II Break (4E),504 Break (D_, F_),EXPERT Pritsche/Fahrgestell (223),305 II Break (581E),EXPERT Pritsche/Fahrgestell,504 Pick-up (E_),PARTNER Pritsche/Fahrgestell,304 Coupe (_04C_),305 I (581A),Expert Pritsche / Fahrgestell (V_),304 Break (_04D_),305 I Break (581D); YY04500417312- Shop: Pkwteile
- Price: 2.04 EUR excl. shipping
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American comics titles
American comics titles ab 20.99 € als Taschenbuch: Classics Illustrated Archaic Classics Illustrated Junior Rip in Time Scud: The Disposable Assassin Gabagool! Johnny Raygun Ace Comics The Cartoon History of the Universe Joe Palooka Futurians Teddy and the Yeti Heroes. Aus dem Bereich: Bücher, Taschenbücher, Geist & Wissen,- Shop: hugendubel
- Price: 20.99 EUR excl. shipping
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Scud Ballistic Missile and Launch Systems 1955–2005
Scud Ballistic Missile and Launch Systems 1955–2005: ab 11.99 €- Shop: ebook.de
- Price: 11.99 EUR excl. shipping
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Scud Ballistic Missile and Launch Systems 1955-2005
Scud Ballistic Missile and Launch Systems 1955-2005: ab 11.99 €- Shop: ebook.de
- Price: 11.99 EUR excl. shipping
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Chatelaine Saloon
Listen up, cowboy: Former leader of the band Taconite Haven. One solo CD, Chatelaine Saloon from 2004...there is a new recording rumblin' 'neath the floorboards at Underwood Studios. It'll creep out of the darkness in mid-2007. There may be some shows, but till then, it's just a late night rumor. The falcon has recorded and produced albums for Big Ditch Road, Martin Devaney, Bob McCreedy, Tom Feldmann, Hojas Rojas, Inwood Radio, House of Mercy Band and many more. The folowing is a review of the most recent record: Mark Thomas Stockert Chatelaine Saloon Eclectone Records (2004) I always tell people that if they're reading an album review and the writer goes on and on about the packaging, that's a pretty good sign that either he/she hasn't really given the release a proper listen or that they did and it was so bad, offensive, or just plain boring that the CD jacket was the only thing about it worth mentioning. In the case of Mark Stockert's latest, Chatelaine Saloon, neither of those options hold true. Yeah, the CD IS in one of the sweetest packages I've ever come across, either on an indie or a major release, a triple-gatefold with groovy, velvety material covering the outer skin, but for once a label (in this case, Martin Devaney's relatively new outfit, Eclectone) has actually put as much effort and TLC into an album's look as the artist did it's feel. And believe me, this record is chock fulla FEEL. Singer/songwriter/guitarist Stockert surrounded himself with a whole passel of expert musicians, vocalists, and fellow songcrafters for Chatelaine Saloon, an album that holds the rare distinction of containing music that's so timeless, so universal, so wholly AMERICAN, that, despite the fact that much of it is played on or through electric instruments, it could easily be stripped down to it's bare, acoustic essentials and make just as much of an emotional and psychic impact were it to be performed live at an 1874 frontier saloon, a Depression-era porch pickin' party, a backwater 1950's revivalist tent, or a hip modern folk club. Kicking off with the dreamy, rolling licks of 'Cowboy Song,' (Not a cover of the Thin Lizzy rocker, but astute pop music fans will notice that several of Stockert's song titles recall classic hits of the past, including 'He Don't Love You,' 'Oh Daddy,' 'Wild Thing,' and 'Hush,' but you can rest assured that the tunes on this album are all originals) a melancholy hopin' song with jagged guitar riffs and simple but drop-dead-gorgeous lines like, 'I wonder if I'll ever be married to a girl with bright, shiny eyes/And I wonder if I'll ever be married to sunshine and blue skies...' Stockert immediately establishes himself as both a musician and a wordsmith who's working the same dark, mysterious artistic soil as ex-Son Volt frontman Jay Farrar, Will Oldham, and Jayhawks co-founder Mark Olson. 'He Don't Love You' (yes, I keep wanting to add, '...like I love you, if he did, he wouldn't break your heart...' too, but that's NOT this song, dammit!) has a loping, cow-poke groove and features happy-blue honky-tonk piano and lines that reference that instrument as well: 'White Cadillac, long saloon/Drives you back from my mind too soon/But like a nine-fingered whorehouse honky-tonk piano player without a knack...he don't love you the way I do/But I won't love you if you don't want me to...' Stockert sometimes sings in a deep, lonely voice, sometimes in a tragic, near-whisper-though his utterances are always clear and concise-and on first listen, these songs seem almost too understated to grab you by either the heart or the balls. But take my word for it, after your second listen, you'll be hooked. 'Oh Daddy' oozes out on grainy slide guitar, weird bell sounds, and a dire banjo/guitar line, a hypnotic road trip song for some slightly off-kilter traveling salesman with scotch on his breath, a statue of Jesus, and (to paraphrase Jon Dee Graham) a small dark spot in his trunk that just won't go away. 'Light Me Up' unfolds over a minor electronic maelstrom and a half-drunk/half-holy chorus of partners-in-crime, then jumps the rails to morph into a catchy, keyboard-driven cow-pop nugget that'd sound equally at home between 'Dark End Of The Street' and Mark Eitzel's 'Fresh Screwdriver' on a mix CD. Superb songwriting, an easy-going, kinetic relationship between the players, and honest, no-bullshit production make this album a sure bet for a lot of local year-end Best Of 2004 lists-and recent positive reviews in such esteemed publications as No Depression hint that this whole project might be a lot bigger than either Stockert or Devaney could've hoped for. 'Chicky Boom,' my personal fave from this collection (and that's a tough call, because I really do like every song on here), kinda drips outta your speakers at first, like the last couple of reluctant drops from a morning-after bottle of whiskey, Stockert talk-singing the first lines in that weary, devil-may-care-but-I'm-not-sure-I-do-anymore tone of his. And just when you think you're gonna sink back down into the depths (not that you mind sinking, by this point) the tentative pickin', weeping steel guitar, and choppy drum beats coalesce into another beautiful, bibulous half-waltz and Stockert's voice picks up like Deputy Festus on the old Gunsmoke T.V. show after Miss Kitty'd pour him a closing time shot on the house: 'Chicky-chicky boom, yeah!' 'Devil' finds Stockert and his 'House Of Strange Sounds' players (a take-off on the handle of his pals, The House Of Mercy Band, the line-up includes Dave Downey, Jim Hauf, Dave Schultz, Jimmy Peterson, Peter J. Sands, Brian Fessler, Brian O'Neil, Eric Luoma, Steve Murray, Adam Wortman, Darin Wald, Alicia Corbett, and Kevin Pinck) trotting out a Creek Dippers-esque ramble about personal demons and searching for a place (inside?) where 'the devil's got no hold on you...' 'Wild Thing' features more stump-preacher banjo, strange, disembodied voices, and that rollicking honky-tonk piano. And it's got about as much in common musically with The Troggs' nugget by the same name as Ton Loc's wacky hit did. But then again, this record's not about '60s psychedelia, fuzzed out garage guitars, faux rap, lifted samples, fashion, or funky cold Medina. It's about capturing a FEEL, like I said before. And that's exactly what it does. Lots of feelings, to be accurate. Like Jessco, The Dancing Hillbilly and The Dashboard Saviors once said, it's about love, sorrow, hatred, madness ... and anything else that might be boiling just beneath that shiny surface you allow the rest of the world to see. You might not find any answers here (Stockert's clearly still searching himself), but if you're not touched by the raw humanity and the genuine passion running through Chatelaine Saloon, you probably never knew the questions in the first place. The final track, 'Hush,' moans it's way deep down into your ears with sad slide guitar, wispy acoustic pickin', and Stockert's cracked, broken voice summoning up the ghosts of Hank Williams, Nick Drake, and The Scud Mountain Boys simultaneously, literally putting the proverbial cherry on top of this batch of well-crafted, heartfelt, spiritual tracks. And although the album (or it's author and players) never can seem to make up it's/their mind(s) about whether this is a beer-soaked, bleary-eyed Saturday night drinkin' record or a 'damn-I-can't-believe-I-did-that-shit' Sunday morning confessional, by the time you've reached the end your soul makes that decision for you. The cool thing? It's different every time. Try it yourself- and whether you end up with the perfect soundtrack for creating future regrets or one to live them out with, there's no doubt you'll dig the music along the way. Available in all your finer local mom-n-pop record shops. Chicky Chicky Boom!!- Shop: odax
- Price: 25.46 EUR excl. shipping
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Amphetamine
Originally released in 2010. Directed by Scud.- Shop: odax
- Price: 48.09 EUR excl. shipping
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Crossroads Middletown
Polair bears his soul First playing this CD in the kitchen whilst making dinner, two things stuck in my mind - a number of the songs remind me of the melodic, melancholic folk of Sophia and at one point my ears pricked up because I thought I was listening to the Pale Fountains. Two points of interest are a positive indicator, an awful lot of the records I listen to fail to register any. On closer listen Polair has an awful lot more going for him than being likened to excellent yet defunct groups. The deliberate walk of the strings on 'Fallen Angels' is definitely one of the points that invited me to think of Sophia and it was the bucolic bossa nova of 'Eternidad' though sung in Spanish that made me think of the young Michael Head and the iconoclastic fun of his first band. Polair does up-tempo indie folk rock with some brio, 'Tragi-Comic Girl' boasts a superb opening and a chorus that is surrounded by guitars that are both melancholic but paradoxically uplifting. Then there is 'Teenage Years' that has some banjo plucking that would make the nimblest of Bluegrass pickers flush with envy. This is the kind of stuff that Joe Pernice started out making in the Scud Mountain Boys. Even better, for me at least, is 'God Knows Why' which reminds me of Herman Dune who are the best exponents at this kind of left-field folk/indie rock. Some of the songs suffer from a lack of a strong identity, but they're nonetheless pleasant and this collection is satisfying in the way that home baked bread is. David Cowling Americana UK Crossroads, Middletown was created to fulfil every interpretation imaginable, so I can hardly get it wrong. If you stripped away the vocals for 'Settle Down' it sounds like Craig David has taken a trip to Texas and taken on the influences, banjos, folk life and decided to remix his songs with a country twang. But by adding Fabien back into the equation this song is by no means a joke, it's a well constructed musical journey of dusty settings and spectacular views. 'Fallen Angels' is by far my favourite track on this EP. Not only does it have a deep meaning behind the lyrics, the music is spell binding and takes you by the wings up into the darkness of above. This record is truly deserving of a pat on the back, Fabien's ear for music is transformed into beautiful songs with heart felt story's behind each and every one. This doesn't just create a good listen but also creates a connection to the artist and this bond will make you a fan for life. Beckie A The-Mag Fabien Polair returns with an amazingly enchanting, and undeniably elegant album. If you haven't heard anything by Fabien Polair yet, then you are surely missing out on something magical. He is an artist with a very raw and passionate talent, and he expresses emotions perfectly through his music, which is something that very few musicians tend to achieve. Fabien Polair has returned with a new album titled 'Crossroads, Middletown', and it houses fourteen of the most fabulous tracks. Followers of Fabien Polair's music may think that 'Crossroads, Middletown' is his own personal reaction to his previous album, 'Circumstances of the Present World', which is fairly politically focused and contrasting in themes and sounds compared to his latest effort, but it's simply the work of a musician who is free to follow his moods and inspiration, whatever the consequences and wherever they may lead. Track five of the album, 'Caught In The Monotony', is particularly worth noting for the beautiful harmonica melodies. It is rare for a musician to use a harmonica for more than a brief flirtation in a song, however Polair makes it sing and the sound is so rich and vibrant that one almost wouldn't mind hearing the pure instrumental part of the track by itself. The ballads are soothing whilst tracks such as 'Tragi-Comic Girl' and 'Teenage Years' provide a slightly more pop and light-hearted feel. The graceful tones of Fabien Polair's voice are quite simply put, intoxicating. This album really grows on you the more that you listen to it, there is an instant attraction that builds until before you know it - you've placed it amongst your favourite albums. 'Crossroads, Middletown' is a delicate mix of easy listening and folk, yet it doesn't flow as a paint by numbers album, it is far too soft and charming to be that straight forward. Fabien Polair will be performing throughout Europe during 2008, it would be a complete delight to see him live, and I for one am eagerly awaiting his next move. Goldie Stewart Subba-Cultcha Crossroads, Middletown is a lovely gentle piece of Americana, with hints of American Music Club, American Football and Wilco, to name but a few. Lovely, lush instrumentation layered deeply and complimented perfectly by Fabien's voice, which perfectly walks the line between vulnerable and whiney. Making it even more impressive is the fact that he played everything on the album himself (I assume not at the same time, because there's quite a lot going on in some of the songs!) and even appears to have released the CD himself. In some ways I find it a real shame that such an obvious talent can't get his record released by a label, but on the other hand if self releasing gives him the freedom to make such great alt. Country songs then it's all good. Recommended if you like slide guitar and banjos, and Uncle Tupelo and Jets to Brazil. Will Slater Die Shellsuit, Die!- Shop: odax
- Price: 23.81 EUR excl. shipping