23 Results for : shite

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    Won't Say Sorry-The Complete Cover Story
    March 1981, Russel (DUCKY) Payne, his brother Ronnie and Gary Tier - all Cardiff Skins - along with Martin Brennan, a valley Skin, form an Oi! Band. After tossing a few names around, including FORCED OPPRESSION, they decide that THE OPPRESSED fits the bill. So it was that with not much ability and a ton of enthusiasm the boys set out to have a ball. With the departure of Ronnie from THE OPPRESSED, Ducky, Gary and Brennan eventually turn up on Roddy Moreno's doorstep and make him an offer he can't refuse. With Roddy as second guitarist and his brother Dom on bass, this line up lasted about a year. Brennan and Gary had decided to leave so Roddy took over vocals and found Lee Jenkins to take care of drumming. This line up lasted about 2 years and recorded nearly everything issued in the eighties. Almost all their gigs ended in a ruck (boys will be boys) and eventually they got fed up with the whole thing. They did get together in the studio with Juan Garcia - a punk from near Cardiff - on drums, recorded 3 cover versions but played no gigs. So that was it for the eighties. After the split in '84, Roddy Moreno spent the next 6 years setting up and running Oi! Records and Ska Records labels, helped to establish S.H.A.R.P and in 1987/8, put together The Rude Boys with his brothers Dom and Adrian (R.I.P) and 3 sax players. By the end of the eighties the Rude Boys had fallen apart and the labels were struggling. There was a baby (THE Oi! BOY) on the way so Roddy had to give up on music and get a job. 'I put The Oppressed back together in 1994 after some Fascist shite had been putting up C'18 (Niggers Out) stickers in my area. I tore off the stickers and thought 'fuck this' and set out to use the band's profile to Fight Fascism again. For the next 2 years me, Dom and Adrian recorded some Anti-Fascist records including the benefit E-P 'FUCK FASCISM'. We played a few local 'Shows for the Boys' including our farewell gig with the Warriors which was filmed for the THEY THINK IT'S ALL OVER - IT IS NOW video. Although this was our farewell gig we received an offer we couldn't refuse, to play the Camden Irish Center for ANTI-FASCIST ACTION (Oct' 5th 1996). The Business had a gig wrecked by C'18 because they wouldn't have C'18 provide security. The Fascists then announced that no Oi! Bands could play London without C'18 security. The lads from A-F-A said 'FUCK THAT' and arranged a concert for us. Floyd was now in the band on guitar and this was his one and only gig with us. The Stage Bottles had come from Germany to support us. It was a top night. Just like back in '81, no trouble at all. It was one of our best gigs and, not surprisingly, C'18 became invisible men'. 1998 saw THE OPPRESSED back together with a new drummer (YAN) to do some more recording. Now it's 2004 and they're back in rehearsals. The latest line up is still Roddy, Dom and Floyd, with Tony Kizmus (ex-Societys Rejects) on drums. As one of the only long-standing true skinhead bands, THE OPPRESSED have stayed the course through thick and thin. Always loyal to their roots. Never pandering to the bullshit of the mainstream music industry. One-off live dates in Germany, Belgium, Italy, and Canada have been organized for the band in 2005.
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    • Price: 32.52 EUR excl. shipping
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    Skinhead Times 1982-1998
    March 1981, Russel (DUCKY) Payne, his brother Ronnie and Gary Tier - all Cardiff Skins - along with Martin Brennan, a valley Skin, form an Oi! Band. After tossing a few names around, including FORCED OPPRESSION, they decide that THE OPPRESSED fits the bill. So it was that with not much ability and a ton of enthusiasm the boys set out to have a ball. With the departure of Ronnie from THE OPPRESSED, Ducky, Gary and Brennan eventually turn up on Roddy Moreno's doorstep and make him an offer he can't refuse. With Roddy as second guitarist and his brother Dom on bass, this line up lasted about a year. Brennan and Gary had decided to leave so Roddy took over vocals and found Lee Jenkins to take care of drumming. This line up lasted about 2 years and recorded nearly everything issued in the eighties. Almost all their gigs ended in a ruck (boys will be boys) and eventually they got fed up with the whole thing. They did get together in the studio with Juan Garcia - a punk from near Cardiff - on drums, recorded 3 cover versions but played no gigs. So that was it for the eighties. After the split in '84, Roddy Moreno spent the next 6 years setting up and running Oi! Records and Ska Records labels, helped to establish S.H.A.R.P and in 1987/8, put together The Rude Boys with his brothers Dom and Adrian (R.I.P) and 3 sax players. By the end of the eighties the Rude Boys had fallen apart and the labels were struggling. There was a baby (THE Oi! BOY) on the way so Roddy had to give up on music and get a job. 'I put The Oppressed back together in 1994 after some Fascist shite had been putting up C'18 (Niggers Out) stickers in my area. I tore off the stickers and thought 'fuck this' and set out to use the band's profile to Fight Fascism again. For the next 2 years me, Dom and Adrian recorded some Anti-Fascist records including the benefit E-P 'FUCK FASCISM'. We played a few local 'Shows for the Boys' including our farewell gig with the Warriors which was filmed for the THEY THINK IT'S ALL OVER - IT IS NOW video. Although this was our farewell gig we received an offer we couldn't refuse, to play the Camden Irish Center for ANTI-FASCIST ACTION (Oct' 5th 1996). The Business had a gig wrecked by C'18 because they wouldn't have C'18 provide security. The Fascists then announced that no Oi! Bands could play London without C'18 security. The lads from A-F-A said 'FUCK THAT' and arranged a concert for us. Floyd was now in the band on guitar and this was his one and only gig with us. The Stage Bottles had come from Germany to support us. It was a top night. Just like back in '81, no trouble at all. It was one of our best gigs and, not surprisingly, C'18 became invisible men'. 1998 saw THE OPPRESSED back together with a new drummer (YAN) to do some more recording. Now it's 2004 and they're back in rehearsals. The latest line up is still Roddy, Dom and Floyd, with Tony Kizmus (ex-Societys Rejects) on drums. As one of the only long-standing true skinhead bands, THE OPPRESSED have stayed the course through thick and thin. Always loyal to their roots. Never pandering to the bullshit of the mainstream music industry. One-off live dates in Germany, Belgium, Italy, and Canada have been organized for the band in 2005.
    • Shop: odax
    • Price: 32.45 EUR excl. shipping
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    Pianosketches 1 (Morning Breeze)
    Perhaps the most intriguing aspect in PianoSketches 1 (Morning Breeze) seem to be the intimate musical experience of sound colors. The album is a big sound canvas for the color combination found. It's fresh outlook, becomes a workout for your mind and spirit in transforming sound into energy and images. Yexu zuì youqù de fangmiàn zài PianoSketches 1(mò níng bùléi zi) sìhu shì qinmì de yinyuè tiyàn shengyin de yánsè. Zhè zhang zhuanjí shì yigè hen dà de shengyin fanbù de yánsè zuhé faxiàn. Ta de xinxian miànmào, chéngwéi yigè duànliàn ni de tóunao hé jingshén zhuanhuà wéi néngliàng de shengyin hé tú xiàng. Marahil ang pinaka nakakaintriga aspeto sa PianoSketches 1 (Morning simoy) tila sa maaari ang intimate musikal na karanasan ng tunog na kulay. Ang album ay isang malaking sound canvas para sa mga kumbinasyon ng kulay na natagpuan. It's sariwang pananaw, nagiging isang eehersisiyo para sa iyong isip at espiritu sa transforming sound sa enerhiya at mga imahe. Sayada eka PianoSketches 1 (subaha ki hava) me? sabase pecida pahalu ko dhvani ra?ga ki antara?ga sa?gita ka anubhava karane lagate hai?. Paya elabama ra?ga sanyojana ke li'e eka ba?i dhvani kainavasa hai. Isaki taja dr???iko?a, urja aura chaviyo? me? dhvani badalane me? apane mana aura atma ke li'e eka kasarata ho jata hai. Mungkin aspek yang paling menarik di PianoSketches 1 (Breeze Pagi) tampaknya menjadi pengalaman musik intim warna suara. Album ini adalah sebuah kanvas suara besar untuk kombinasi warna yang ditemukan. Pandangan segar It's, menjadi latihan untuk pikiran dan jiwa dalam mengubah suara menjadi energi dan gambar. PianoSketches 1 (moninguburizu) de osoraku mottomo miryoku-tekina sokumen wa,-on no iro no shinmitsuna ongaku taiken shite iru yoda. Arubamu wa,-shoku no kumiawase ni okina oto ga kyanbasudesuga mitsukarimashita. Shinsen'na mitoshi wa, enerugi ya gazo ni onsei o henkan suru sai, anata no kokoro to seishin no tame no toreningu ni narimasu. PianoSketches 1 (achim mipung)eseo ama gajang heungmiloun bubun-eun soli saegsang-ui chinmilhan eum-agjeog gyeongheom-i doel geos gatseubnida. Aelbeom-ui saegsang johab-e daehan keun soli kaenbeoseudoegoissneun geos-eulo natanassseub. Sinseonhan jeonmang, eneoji mich imijilo solileul byeonhyeong-e dangsin-ui ma-eumgwa yeonghon-eul-wihan undong-idoenda. Tal vez el aspecto más intrigante en PianoSketches 1 (Morning Breeze) parece ser la íntima experiencia musical de los colores de sonido. El álbum es un gran lienzo de sonido para la combinación de colores que se encuentran. Su nueva perspectiva, se convierte en un entrenamiento para la mente y el espíritu en la transformación en energía de sonido e imágenes. Labda zaidi kipengele intriguing katika PianoSketches 1 (Morning Breeze) wanaonekana kuwa ndani ya muziki uzoefu wa rangi sound. Albamu hii ni kubwa sauti Canvas kwa macho ya rangi found. Mtazamo wake safi, inakuwa Workout kwa akili yako na roho katika kubadilisha sauti katika nishati na picha. Bangthi r?k mak thi's-ud ni dan PianoSketches 1 (Morning Breeze) duh-em?-xn ca pen pras-bkar?? dntri thi' kilchid k-hxng s-i s-eiyng X?lb?m nih-em?-xn p?haph k-heiyn s-eiyng k-hnad h-i?' s-?h-r?b kar p-hs-m s-i thi' phb Outlook s-d k-hxng m?n ca klay pen xxkk?l?ng kay s-?h-r?b citci læa cit wi??a? k-hxng khu? ni kar peli'yn pen phl?ngngan s-eiyng læa p?haph. Please Note ! Our Special Thank You To All And Especially To: Marryann Go (Jewel Case Art Design - Front & Back) Nee (Jewel Case Art Design - Inside) Candice Carroll (Design Consulting) Riako Kimura (Notes, Text, & Story Line) Tiffany Combs & Arron Avallon (Sales Consultants) Evan Filler (Music Consulting) Melissa & Ken Yamada (Production Consulting) Nancy Nakamura (Score Notation & Copyrighting/SPI) Mike Allison (Marketing Development) Keith Cameron & Paul Carruba (Audio Mix Down Engineering) Sound Lab West (Mastering)
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    • Price: 23.07 EUR excl. shipping

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