39 Results for : arching
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Dirty Talk: Talk Dirty to Get in the Mood for Love , Hörbuch, Digital, ungekürzt, 88min, (USK 18)
Do you have the balls to talk dirty to your woman? Do you think you can talk like a whore and not end up being treated like one? Do you want to know how to talk dirty without feeling like a complete fool? Then it must be fate that you've found this book! The most skilled sex gurus know that the key to intense sexual pleasure is through the multiple and simultaneous stimulation of the senses. Think of your words as a hundred more hands and a thousand other tongues stroking, kissing, and licking your lover. In this book, you'll learn more about the psychology of the language of lust. Find out why it works so well and why you should strive to speak it fluently. When spoken well, dirty words can make your lover want you more than he/she has ever wanted anyone before. When delivered in the right moment, dirty talk can aid in achieving toe-curling, back-arching, soul-shaking climaxes. In this book, you'll learn how to apply the art of dirty talking in all phases of lovemaking, from the seduction stage to the afterplay. You'll hear about: How to use filthy words for flirting How to use dirty talk to get your lover in the mood for lust Steamy statements to heat up your foreplay How to talk dirty during intercourse Using naughty words to promote powerful orgasms Things to tell your lover after sex The art of erotic eloquence is not just about memorizing a bunch of lewd lingos. Rather, it also has a lot to do with how and when you say the words. Thus, this book isn't just about enriching your arsenal of filthy words. Instead, it has been designed to help you master the effective delivery of your phrases. Are you ready to sharpen your skills on sensual speech? Are you eager to drive your sexual soulmate mad with lust? Do you want to give your lover the most memorable orgasm of his/her life? Grab this book. You're this close to being the best lover that you can po ungekürzt. Language: English. Narrator: Lynn Thompson. Audio sample: https://samples.audible.de/bk/acx0/074075/bk_acx0_074075_sample.mp3. Digital audiobook in aax.- Shop: Audible
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Teaching My Hubby a Lesson , Hörbuch, Digital, ungekürzt, 30min, (USK 18)
Paul and I hadn't been happy for a while. I knew that losing his job had been hard on him, but that was no reason for him to be neglectful - even scornful - in every possible way. He contributed less and less, but I guess what hurt me most was how he neglected my body. I chalked it up to depression until I found out what he'd been doing with girls on the Internet when I was away at work, keeping our family afloat. But it wasn't until I laid my eyes on Riley, our 23-year-old gardener, that I realized how I would get my revenge. Paul was about to get a front row seat to just exactly what he'd been depriving me of! Warning: If you're not 18 or older, please don't download this audiobook. In addition, there is content such as MILF sex, revenge sex, cuckolding husband, sex with a younger man, backdoor sex, domination and humiliation, and more. If you find that offensive, don't listen to this story. Here is a preview: He pressed the small button onto my shirt with his thumb, the top of my breast giving way slightly beneath it. "It's a pretty close match to the other buttons," he said, his eyes penetrating my blouse. I found myself arching my back ever so slightly in spite of myself, enjoying his gaze on me, wanting to encourage it. "Go ahead and take off your shirt." "What?" my voice caught in my throat. He smiled and rested a reassuring hand on my knee. "I know how to sew, but I'm not exactly delicate," he winked. "If you leave it on I'll prick you." He didn't wait - there was to be no discussion about it. He began unbuttoning my blouse, and I didn't protest, though I wondered if he could feel the tremor that had built up inside of me. I wanted him to see me. I wanted him to like what he saw. He leaned forward and pulled the unbuttoned shirt off of my shoulders, his sweaty tee-shirt grazing my breasts. I could feel my nipples aching with stiffness as I ever so gently pressed against him. When the shirt was g ungekürzt. Language: English. Narrator: Concha di Pastoro. Audio sample: https://samples.audible.de/bk/acx0/089489/bk_acx0_089489_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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Arching Backward
Arching Backward - The Mystical Initiation of a Contemporary Woman: ab 9.37 €- Shop: ebook.de
- Price: 9.37 EUR excl. shipping
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Violent Hearts
33 Charmanter Indie & 50/60´-Pop mit Hitpotenzial aus Kanada ! Für Fans von THE DRUMS & BEACH BOYS. Ein vor Harmonien überschäumendes Album mit pulsierenden Rhythmen. Erscheint in den USA auf SUB POP Records.Shimmering Stars is a three-piece dream pop act from Vancouver, BC, Canada. Shimmering Stars' music embodies an attempt at drawing out and illuminating the subtle darkness inherent in the seemingly wholesome, innocent music of the 1950s and 60s. The result filters older influences like the Everly Brothers, Del Shannon, Beach Boys, Phil Spector, Bo Diddley & of course The Drums through a contemporary indie lens. Songs about being in love, not being in love, the painfully modern condition of floating in a state of suspended adolescence - all tinted with the slight self-deprication of knowing how trite it is to be writing songs about these things at all. Shimmering Stars create reverb-soaked pop songs, full of arching harmonies, pulsing rhythms, and exquisite melodies, often with dark undertones, all while adhering to the timeless structural qualities of the seminal songs that inspired them. The songs are haunting and sublime - at times blissful, and at others heart breaking. The band began as a recording project in Spring 2010. After stumbling upon some old live footage of the Everly Brothers, Rory McClure holed up in his parent's garage in Kamloops, British Columbia to record the first demos. That first recording environment rendered Shimmering Stars' distinctly dusty atmospheric sound and established a conscious insertion into the garage music continuum. REVIEWS: If there's any justice, 2011 could be a breakthrough year for the band. The Line of Best Fit Shimmering Stars are a band who embody this wonderful kind of ignorance, a quartet seemingly frozen in a bygone era and thawed in the choppy waters of today. The kind of music you'd associate with an excellent post-war prom, their tender, dream pop ambience a sort of cool embrace. The Pigeon Post Influenced by the sounds of Beach Boys, Everly Brothers, with a touch of Phil Spector, Shimmering Stars creates timeless, lo-fi dream pop. Guitars strum and jingle, the vocals soar and ascend, while the drums beat-beat like the sound of your heart. They take you back to first crushes, lost loves, and restless nights contemplating just how you're going to work up the nerve to talk to *that* person. These songs glisten and glimmer, sweetly encompassing the sound of falling in love. Unholy Rhythms 'It's brilliant' Mojo Anspieltipps: - I'm Gonna Try (Single) - Sun's Going Down - Dancing to Music I Hate TRACKS: 1. Believe 2. I'm Gonna Try 3. No One 4. East Van Girls 5. Into the Sea 6. Nervous Breakdown 7. Privilege 8. Sun's Going Down 9. Sabians 10. Dancing to Music I Hate 11. I Don't Wanna Know 12. Other Girls 13. Did I Lose You 14. Walk Away- Shop: odax
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Colors for Solo Flute
All of the wonderful compositions on this disc have certain features tying them together: they were all written by American composers and they are all scored for flute alone. Beyond those basic similarities, however, these works are each unique in tonal language, character, the innovation of new performance techniques, and use of COLORS. Katherine Hoover (b. 1937) is a celebrated composer for the flute. After the immediate success of her solo flute work Kokopeli, in 1990, she composed several more pieces for unaccompanied flute, including To Greet the Sun from 2004. This new work incorporates the unique sound of a flutter-tongued timbral trill. Of the work, Hoover writes, "To greet the sun is to give thanks for the great richness of the Earth and the gift of life. Various cultures have done this in differing ways, from dawn prayers to dances and ceremonies to researching the sun's awe-inspiring power." Published by Papagena Press. John La Montaine (b. 1920), Pulitzer Prize-winning composer, studied composition with Howard Hanson, Nadia Boulanger, and Bernard Rogers. The movements of his Sonata for Flute Alone have such descriptive and quirky titles, which add to the color of the work for the performer as well as the audience: Questioning, Jaunty, Introspective, and Rakish. Published by Fremont Press. Paul Richards (b. 1969) is an award-winning composer on the faculty at the University of Florida. His colorful compositions and titles are frequently performed by chamber and large ensembles across the world. About this work, Richards writes "The ghostly sound of a solo flute played with airy tones sparked the image of a post-apocalyptic, dusty, windswept and barren field, and a lone musician initiating a ritual of mourning and a fiery expression of loss, tempered by fleeting hints of hope. A flute further fit this conception as it has a lineage that goes back to the earliest musical instruments, and will likely survive in some form as long as we do. Depressing thoughts, I know, but then I got this fortune cookie: Don't worry about the world coming to an end, it's already tomorrow in Australia." This work was composed for Kristen Stoner and includes many extended techniques (glissandos, pitch bends, altered tone color, dictated vibrato, timbral trills, tongue thrusts, and spit tongue) to express feelings of despair, anger, and hope in a post-apocalyptic world. Ingolf Dahl (1912-1970) was a composer of Swedish and German descent, immigrating to America in 1939 and becoming a naturalized American citizen in 1943. He was an active composer and performer in the new music scene in Los Angeles, but also supported himself by working in the entertainment industry. He was a professor at USC from 1945 until the end of his life. In that same year, he composed Variations on a Swedish Folk Tune, seven diverse variations based on the theme "Skänklåt från Leksand." Published by Theodore Presser. Marilyn Bliss (b. 1954) is an active composer for the flute and the Native American flute, as well as for orchestra and chamber ensembles. She studied composition with George Crumb, George Rochberg, Harvey Sollberger, Jacob Druckman, and Jerry Owen. Murali is the name of Krishna's flute, the Indian god. Krishna, according to legend, played his flute under the first full moon and people were drawn from all over to dance to his alluring music. Published by the American Composers Alliance. Robert Muczynski (1929-2005) was trained at the University of Chicago and spent the majority of his career in Arizona. He wrote wildly successful sonatas each for flute, saxophone, and clarinet relatively early in his career, and unfortunately none of his subsequent compositions achieved the same renown. His Three Preludes are contrasting in style. The first movement, Allegro, is bright and joyful. Andante molto, is more contemplative, exploring beautiful arching melodies. The final Allegro molto is manic and rambunctious. Published by G. Schirmer. Lowell Liebermann (b. 1961) earned all three degrees at the Juilliard School, where he studied with Diamond and Persichetti. His colorful compositions for the flute have been remarkably successful, starting with his Sonata, composed when he was only 26 years old. Soliloquy, op. 44, commissioned by Katherine Kemler, is technically challenging, with constantly shifting tonal centers and contrasting tempi. Liebermann teaches at Mannes College in New York City. Published by Theodore Presser. Elizabeth Brown (b. 1953) is a composer and a celebrated performer of flute, shakuhachi, and theremin. Trillium was composed in 1999 for the National Flute Association High School Young Artist Competition. Brown writes, "Trillium is a beautiful early spring woodland wildflower with leaves and white petals in threes. The flute language of Trillium is heavily influenced by Japanese shakuhachi music and birdsong. There are a number of unusual timbres and trills, many involving microtones." Published by Quetzal Music. Kristen Stoner (b. 1973) has composed solely for the flute, several works for solo flute and duets, and she is currently working on a Sonata for Flute and Piano. Variations on an Irish Ballad is based on the traditional song "The Wind that Shakes the Barley." The variations are very different in inspiration, including one influenced by Piazzolla's etudes and one by a Luigi Hugues etude. Cynthia Folio (b. 1954) is an active composer and flutist, serving as professor of theory and composition at Temple University. Born in Virginia, she studied at West Chester University and then earned both graduate degrees at Eastman. The name Arca Sacra is a palindrome, and the composition itself is loosely based on a palindrome as well. Published by Hildegard Press. Daniel Dorff (b. 1956) studied composition at Cornell University and the University of Pennsylvania, studying with George Crumb, George Rochberg, and Karel Husa. He has composed many works for orchestra and particularly for woodwind instruments. He is composer-in-residence for the Symphony in C and also is VP of Publishing at Theodore Presser. August Idyll is a lovely, tonal piece with which to close the CD. Published by Theodore Presser. Kristen Stoner is an active performer and pedagogue. She has taught full-time at the University of Florida since 2002, and she taught at Denison University from 1999-2002. In addition to frequent solo performances in North and South America, she performs as principal flutist in both the Ocala Symphony Orchestra and the Florida Lakes Symphony Orchestra. She has performed at 11 NFA conventions. A graduate of the University of Texas and the University of Cincinnati College- Conservatory of Music, Stoner studied primarily with Karl Kraber, Bradley Garner, and William Montgomery. Dr. Stoner enjoys studying and performing works by women composers and has special interests in Latin American music for flute. She has performed and taught in Chile, Ecuador, Peru, and Brazil. Her first CD, Images for solo flute, was released on the Meyer Media label. In addition to performing flute, Dr. Stoner enjoys raising two beautiful girls, spending time with her family, and making jewelry. Kristen Stoner is thrilled to perform on a 14K Burkart flute.- Shop: odax
- Price: 21.85 EUR excl. shipping
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Love These Songs
LOVE THESE SONGS --Jonathan Francis 1) YOU MAKE ME FEEL SO YOUNG (1946) Mack Gordon - Josef Myrow --One of those songs that really lives up to it's title. I always feel a bounce in my step when and after I sing it. Mack Gordon was one of those lyricists of the l940s who found steady employment in Hollywood writing songs for the stars on the studios' payroll. Many of the movies of that era may have been terrible, but a lot of good songs were written for them. Gordon teamed with Harry Warren at 20th Century Fox during the war years. Later he wrote this song with the lesser known Josef Myrow and it has since become an American Song Book classic. 2) THE GIRLS OF SUMMER (The Girls of Summer 1956) Stephen Sondheim With it's lilting bluesy swing melody and accompaniment, this song perfectly evokes the romantic atmosphere of a summer at the beach. The story is an old one and it ends with "I've got nothin' but blues." 3) (Love Is) THE TENDER TRAP (1955) Sammy Cahn - James Van Huesen Made famous in the movie "The Tender Trap" (1956) with Frank Sinatra and Debbie Reynolds, it was sung three separate times and left a memorable impression. Cahn and Van Heusen were Sinatra's mainstay song writers who gave him a solid lyric of the heart. Cahn wrote words that people would really say and not so much about moonbeams and dreams. 4) MY SHIP (1941) Ira Gershwin - Kurt Weill Beautiful imagery and a haunting melody are the hallmarks of a great song. Composed for the musical "Lady in the Dark" (1941) the protagonist is trying to recall, in a psychodrama of 3 sequential dreams, this very song from her childhood. Fragments of the melody drift in and out of the score until, at last, in the finale, it is remembered and sung. 5 ) SKYLARK (1941) Johnny Mercer - Hoagy Carmichael --Vintage Johnny Mercer with a particularly strong evocation of the natural surroundings of his childhood in and around Savannah, Georgia. The melody by Hoagy Carmichael with it's complex bridge making two key changes in eight bars is wonderfully fresh and surprising. A Los Angeles area news reporter recounted how he had an appointment to interview Mercer at his home. He arrived by car and was parking in the street when he saw Mercer in the yard feeding some birds. "Well" he thought, "it's comforting to know that Johnny Mercer really does like birds!" 6) THERE WON'T BE TRUMPETS (cut from Anyone Can Whistle, 1964) Stephen Sondheim -A wonderful arrangement of pure Sondheim genius has trumpets sounding from every corner belying the song's title. The gradual build up in tempo and intensity is punctuated by a waltz-like segment just before the final denial of the necessity for trumpets. How could they have "cut" this one? 7) LUSH LIFE (1949) Billy Strayhorn -One of the most atmospheric songs ever written. Whether singing or listening you will breathe Strayhorn's air and find yourself transported to his world. 8) MOUNTAIN GREENERY (1926) Rodgers and Hart This is one of four songs by R & H that I chose for this recording. The rhythm is totally infectious and the repeated jumps up and down a seventh (musical interval) is wonderfully evocative. I can just feel myself driving up one side of the mountain and down the other to get to my "mountain greenery home." 9) YOU DON'T KNOW WHAT LOVE IS (1941) Don Raye - Gene DePaul - A song that seems to defy any further comment. It expresses sorrow as only music and words combined, can. 10) I WISH IT SO (1959) Marc Blitzstein There is a saying about artists that "All painting is self portraiture." And for composers, music is often their form of self portraiture. When I sing this song, it seems as though Blitzstein is coming alive and revealing himself to me in a very intimate way. 11) MY FUNNY VALENTINE (1937) Rodgers and Hart This is a favorite of mine. I love the poignant irreverent humor, the internal rhymes and repetitions, the pleading "Stay little valentine, stay!" and the elegant descending base line that supports the entire song. Some say that the reason Lorenz Hart was able to write such poignantly beautiful lyrics is that his own love relationships were so strained and difficult. 12) DON'T GET AROUND MUCH ANYMORE (1942) Duke Ellington - Bob Russel -A song from the World War II era, that promoted the idea that women left at home were remaining faithful to their men overseas. The opening verse to this song reads: When I'm not playing solitaire I take a book down from the shelf, And what with programs on the air I keep pretty much to myself. 13) I'LL TELL THE MAN IN THE STREET ( I Married an Angel 1938) Rodgers and Hart - A rarely performed number with a great arching melody. Originally it was done as a jaunty fox-trot but like many R & H songs it works equally well as a ballad. I particularly like it with the verse setting up a nice contrast to the expansive chorus. 14) I COULD WRITE A BOOK (Pal Joey 1940) Rodgers and Hart I usually tear up when I get to the part--- "And the simple secret of the plot---is just to tell them that I love you---a lot." I still don't know why. THREE SCOTTISH BALLADS The following three songs have been on my list of favorites for many years. It was Ewan MacColl, the Scottish balladeer, who first let me hear the pure emotional intensity of an unadorned human voice. He sang in a steady, rhythmic, musical line without accompaniment. His reedy tremolo coloration was the perfect compliment to these ancient narrative tales. 15)THE BATTLE OF HARLAW The battle of Harlaw took place on July 24, 1411, when an army of Highlanders led by Donald of the Isles was beaten by the Earl of Mar's Lowland forces. Child published 2 versions. This version is from Jeannie Robertson of Dundee and Ewan MacColl. 16)SIR PATRICK SPENS I particularly like this one with it's bagpipe-like ornaments. I can almost hear the low drones underneath during it's seventeen verses. Motherwell has suggested that this fine ballad my be based upon the events following the marriage of Margaret, daughter of Alexander III of Scotland to Eric, King of Norway in 1281. Many of the nobles who conducted the young queen to Norway were drowned on the return voyage. Child publishes 18 versions of this ballad. Ewan MacColl's father taught it to him. 17) LORD RANDALL Known throughout Europe and America in substantially the same form, Randall is a perfect example of the question and answer ballad. The name of the hero varies a good deal from version to version. Henry I of England (fourth son of William the Conqueror) died Dec 1, 1135 after a "surfeit of Lampreys" (eels - of which he was excessively fond) in Normandy. Child publishes 15 texts. Ewan MacColl's mother taught it to him. Musical direction, piano arrangements and accompaniment by Jason Martineau Produced by Jason Martineau Recorded and mixed December, 2009 at Fantasy Recording Studio, Berkeley, Calif. Engineered by Alberto Hernandez.- Shop: odax
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Unsatisfecho
Unsatisfecho, the new release from Contramano, is a breakout album. The punky chamber-pop trio has managed to fuse classical and pop sensibilities for a work with all the dramatic strokes of a concept album, yet plenty of spontaneous attitude. ?A new orchestrated sophistication, only hinted at in their self-titled début, is given full range on Unsatisfecho, and Pablo Cubarle's masterful cello is perfectly suited for the deeper emotional depths plumbed here. The title comes from combining the English word unsatisfied with the Spanish word insatisfecho, and while most of the album is in English, there are also songs that address Pablo Cubarle's Argentinian homeland. Contramano is not a political band, but a socially aware one. The title track, Unsatisifecho refers to the state of living in a consumer society gone haywire, among a never-ending quest for more, that's played out by celebrities on reality shows every day. The feeling of frustration can be found on TV Reality, which deals with our culture's obsession with fame, to Jugando with Ghosts, dealing with the millions of undocumented immigrant workers living in the U.S, who are often to referred to as 'ghosts', struggling to survive without family, country and culture. What remains unchanged is Contramano's deft melodies and spot-on songwriting backed by driving rhythms. The band's pop tendencies prove irrepressible, and quirky touches like lightning-fast changes in tempo and Pablo's arching vocal stylings are pure Contramano. Unsatisfecho undoubtedly makes Contramano a band to watch. "This Argentine and Spanish transplant trio happily go dumpster diving for new wave leftovers, but they also hang onto their Latin roots and come up with something quirkier" New York Times "Cubarle has bilingually found a romantic socialist poetry to match his sound, which looks toward the future of all-nations' politics without repressions, without government intervention or class separation." New York Press "Classically trained Argentinean cellist Pablo Cubarle leads Contramano, a largely riff-less punk trio that channels angst through arty-pop prisms in deliriously charming, spirited shows." Flavorpill.- Shop: odax
- Price: 24.46 EUR excl. shipping
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