49 Results for : corrales

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    Arce Corrales:Sistema para la priorizac
    Erscheinungsdatum: 02.01.2015, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Sistema para la priorización de sustancias químicas en el sector salud, Titelzusatz: Metodología para priorizar sustancias químicas en uso en el sector salud público del Estado de Sonora, México, Autor: Arce Corrales, María Engracia // Álvarez Ch., Clara Rosalía // Gómez Álvarez, Agustín, Verlag: EAE, Sprache: Spanisch, Schlagworte: Management: Innovation // E-Commerce // E-Business // Geschäftswettbewerb // Unternehmensführung // Unternehmensgründung // Management und Managementtechniken, Rubrik: Wirtschaft // Management, Seiten: 252, Informationen: Paperback, Gewicht: 393 gr, Verkäufer: averdo
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    Toro , Hörbuch, Digital, ungekürzt, 177min
    ToroA story that evokes beloved films such as Babe and Ratatouille.Alicía Catalina Cortés is a fast and fiery Spanish cow who desperately wants to run with the bulls in Pamplona - but since she’s a cow, tradition forbids her to partake in the fiesta of San Fermín. Through her journey, Alicía learns that to be noble and brave, she must follow her dream and her heart, even if it means defying tradition.Toro is set in the colorful backdrop of Pamplona, Spain during the fiesta of San Fermín and the running of the bulls, famed as one of the most exhilarating, dangerous, and spectacular events around the world. ungekürzt. Language: English. Narrator: Brad Raider, George Spielvogel, Malili Dib, Yolanda Corrales, Leila Cohen, Andrew Avner. Audio sample: https://samples.audible.de/bk/acx0/203116/bk_acx0_203116_sample.mp3. Digital audiobook in aax.
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    Brother, Brother: A Memoir: A Brother's Search for His Lost Brother , Hörbuch, Digital, ungekürzt, 494min
    Do you love road trips? Hop in the back seat of Dan's 66 GTO convertible and ride along with him as he travels cross-country in search of his missing brother. The trip is sure to blow your mind! If you are a baby boomer who came of age in the 60s, you should not pass up Dan's book. Dan's memoir; mostly truth, part fiction, is a tribute to his older brother Rich, whom he will always consider a casualty of the post-Vietnam era. Missing in America for the past 45 years, Rich mysteriously reappears along with his '66 GTO convertible and coerces Dan to retrace the cross-country route he took back in 1970 to settle in a commune in Corrales, New Mexico. With Dan taking control behind the wheel and the spirit of Rich in the passenger seat, Dan recreates some of Rich's experiences as a flower child/Jesus freak. They visit places like The Badlands, Pine Ridge Indian Reservation, Yellowstone, The Grand Tetons, Elko Nevada, the Haight/Ashbury District, Yosemite, the Grand Canyon and Zion National Park in an attempt to understand the life Rich chose, which was so drastically different from Dan's. Along the way they relive memories of the brief 18 years they shared growing up in the absence of their alcoholic father in a struggling single parent household of five kids. In exploring their relationship, Dan confronts several personal issues surrounding the role Rich played in shaping who he became and the impact Rich's disappearance has had on his life. ungekürzt. Language: English. Narrator: Braden Wright. Audio sample: https://samples.audible.de/bk/acx0/069341/bk_acx0_069341_sample.mp3. Digital audiobook in aax.
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    Bouncing Back 2017 in Crisis: How to Prepare for and Recover from Life's Greatest Threats , Hörbuch, Digital, ungekürzt, 474min
    Life is like a bouncing ball - there are ups and there are downs! Give the gift of truth, inner knowledge, and wisdom to someone special in your life - sports enthusiasts, husbands, fathers, brothers, lovers, boyfriends! And don't forget the women in your life too! A necessary, enlightening, and practical book for all! The stories and interviews of famous athletes are covered in this publication with intimate conversations about their own lives! You will hear from such greats as Jim Brown, Doug DeCinces, Lee Brandon, Dick Fosbury, Buck Rodgers, Diego Corrales, José Torres, and Trey Waltke! Not to mention the author's own story. Dr. Mann delivers his personal narrative of hardships and grand slams! This book is an excellent choice for Birthdays, graduations, anniversaries, father's day, mother's day, or a "Just because I love you" book. Bouncing Back 2017 In Crisis takes you on a real journey into the lives of top sports figures - past and present as they openly share their stories as they embarked upon their own chosen paths. Inspirational and very moving, we are invited to look into their souls and feel their passion for what they truly love. This book is about life and change, challenge and triumph, decisions and courage, and now, this moment in time with all of the worldwide tumult humanity is experiencing. Sports and spirituality all wrapped up and bound together - Bouncing Back 2017 in Crisis is for all people and all seasons. This is not a book about sports - this is a book about life! Surviving in a world of chaos and confusion, fear and doubt, we all must find a way of maintaining our sanity and peace of mind. The vibrant and touching stories that fill this book reinforce hope, faith, and trust for the many small and major life challenges we all face from time to time. From their inner journeys to the outer manifestation of that inner work, we see how they became stronger, more compassionate and understanding and lit ungekürzt. Language: English. Narrator: Ronald L. Mann Ph.D.. Audio sample: https://samples.audible.de/bk/acx0/090709/bk_acx0_090709_sample.mp3. Digital audiobook in aax.
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    Chilean football biography Introduction
    Chilean football biography Introduction ab 19.99 € als Taschenbuch: Javier Margas Cristóbal Jorquera Vicente Cantatore Cristian Suárez Milovan Mirosevic Fabián Estay Rodrigo Goldberg Nelson Acosta Marcelo Corrales Héctor Tapia Jorge Orlando Aravena Plaza Fernando Vergara Fabián Orellana. Aus dem Bereich: Bücher, Reise, Reiseführer, Südamerika,
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    Salvadoran footballers
    Salvadoran footballers ab 20.49 € als Taschenbuch: Hugo Pérez Ronald Cerritos Mauricio Cienfuegos Cristian Castillo Rudis Corrales Raúl Díaz Arce Mágico González Julio Enrique Martínez Rodolfo Zelaya Conrado Miranda Mauricio Alonso Rodríguez Osael Romero Alfredo Pacheco. Aus dem Bereich: Bücher, Taschenbücher, Wirtschaft & Soziales,
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    • Price: 20.49 EUR excl. shipping
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    Sakamura Corrales und die lachenden Leichen
    Sakamura Corrales und die lachenden Leichen: ab 9.99 €
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    • Price: 9.99 EUR excl. shipping
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    Almas Buenas
    Español Almas Buenas (Good Souls) es el fruto de un mes de trabajo en Buenos Aires de Drongomala junto con algunos de los más exquisitos artistas del tango, el folclore y el jazz. El proyecto muestra al grupo tocando con nuevos arreglos latinos algunas canciones del catalogo de Drongomala que abarca el material en la India, Grecia, Reino Unido y EE.UU. Pre-Producción: El proyecto fue ambicioso desde el principio. Después de un viaje de 2 meses por América Latina Drongomala contaba con 11 canciones candidatas traducidas por la reconocida traductora Argentina Paula Tizzano. Después de viajar por Brasil, Ecuador, Perú, Bolivia y Chile afinando sus oídos, el corazón y la mente a América Latina y a una cultura de habla española, Drongomala se estableció en el porteño barrio de Almagro en la Ciudad de Buenos Aires. La elección de Almagro tenía dos razones, el hecho de que esta parte de la ciudad ha sido y es aún la casa espiritual (Barrio) del tango y por otro lado que allì se encuentra un club de boxeo legendario. Drongomala empezó una rutina de entrenamiento en boxeo durante 2 horas cada mañana y comenzó la búsqueda de un equipo de músicos que colaboraran en este trabajo. Rápidamente al principio de su estadía fue presentado a Jorge Soldera quien después de una serie de reuniones se convirtió en el mentor integral del proyecto. Jorge se comprometió a la tarea de elegir los músicos y trabajar en las canciones durante la pre-producción para darle a los arreglos una influencia latina. Drongomala y Jorge trabajaron muy intensamente en el mes previo a la grabación. Ensayos: Drongomala tuvo la suerte de contar con legendarios mùsicos de prestigio internacional del tango como Carlos Corrales y Juan Pablo Navarro, y luminarias estrellas en ascenso como Matías Chapiro (piano acústico), Víctor Piseta (guitarra española) y Jorge Savelon (percusión / batería) . Un arreglo especial para el tema 'Exploto Mientras Trato Ser Alguien', fueescrito por Carlos Corrales e interpretado con Bandoneón. Grabación + Mezcla: La grabación de este proyecto se realizó en vivo en la sala de uno de los estudios de grabación más prestigiosos de Argentina, el Estudio Moebius. Moebius es reconocido en América Latina por su especialización en Tango y grabaciones acústicas. Las grabaciones fueron todas realizadas en toma directa durante un período de 3 días. La mayoría de las canciones fueron capturadas en las dos primeras tomas para lograr mantener una energía excitante. Una vez terminada la grabación se llevaron a cabo las mezclas por el experimentado ingeniero Oscar Margariños quien fue el diseñador técnico del proyecto. Oscar Magariños es un reconocido ingeniero que comenzó su carrera en Argentina en la época de las grabaciones análogas en cinta.Trabajó en los estudios más importantes y es un gran especialistas en tomas acústicas. Entre los artistas más importantes que le confiaron sus grabaciones y mezclas podemos citar a: Rubén Rada,Osvaldo Fatoruzo,Estela Rsval, Los Nocheros, Miguel Abuelo, Oscar Kreimer y Mario Parmisano entre otros. Sobre Moebio: Moebio es una de las mejores salas de estudio de grabación de Argentina especialmente diseñada por el ingeniero acústico Carlos Piriz, reconocida en toda América Latina como un ideal para la grabación de proyectos acústicos. Por su sala han pasado los más grandes artístas de los últimos tiempos, entre ellos Mercedes Sosa, el guitarrista y compositor Juan Falú, el músico Luis Salinas, el violinista, compositor y director de orquesta Antonio Agri, Soda Stereo, Fito Paez, Luis Alberto Spinetta, La Camerata Bariloche, allí se grabó el histórico álbum "200 años de Música Argentina" de la Orquesta Sinfónica de Salta, y otras muchas orquestas, ya que la calidad de audio que se obtiene en este estudio es comentada por muchos como insuperable. Arte de tapa: Yuxtaposicionando la naturaleza clásica de lainstrumentación Drongomala eligió un dibujante de cómics y novela gráfica en ascenso, Sergio Carrera, para realizar el trabajo de arte para el disco. Conoció a Sergio a través de una novela gráfica en iPhone titulada 'La Ciudad Eterna', la cual cuenta la historia de un agente de la muerte que escolta fallecidos porteños (ciudadanos de Buenos Aires) hacia la otra vida. Drongomala ha dicho 'Para mí Ciudad Eterna es una historia de amor a Buenos Aires por Sergio y arroja luz no sólo sobre los personajes de esta gran ciudad, sino que ofrece a la misma ciudad con un rostro propio mostrando los diferentes barrios, monumentos y edificios'. English Almas Buenas (Good Souls) is the fruit of a months work in Buenos Aires by Drongomala working with some of the cities finest tango, folklore and jazz artists. The project sees the group playing new latin arrangements of Drongomala songs from his back catalogue which spans work in India, Greece, UK and the US. Pre-Production: The project was ambitious from the start. Prior to a 2 month trip around Latin America Drongomala had 11 candidate songs translated by reknowed translator Paula Tizzano. After travelling through Brazil, Ecuador, Peru, Bolivia and Chile tuning his ears, heart and mind to Latin America and a Spanish speaking culture Drongomala settled in the Almagro district in Buenos Aires. The choice for Almagro was two-fold, that it was the spiritual home (Barrio) of tango and that it contained a legendary boxing club. Drongomala started a routine of boxing training for 2 hours every morning and began the search for musicians to collaborate with. Quite soon into the stay he was introudced to Jorge Soldera who after a few meetings became the holistic mentaur of the project. Jorge committed to finding the musicians and working on the songs in pre-production to give the arrangements a latin slant. Drongomala and Jorge worked intensely for the month leading up to recording. Rehearsals: Drongomala had the luck to get legendary international tango players such as Carlos Corrales and Juan Pablo Navarro as well as Argentinian luminaries and rising stars like Matias Chapiro (acoustic piano), Victor Piseta (Spanish guitar) and Jorge Savelon (percusion/drums). A special arrangement for Exploto Trato Day Ser Alguien was written by Carlos Corrales for Bandoneon. Recording + Mixing : Recording was undertaken in the famous live room of Moevius Studios. Moevius is well known in Latin America for it's specialisation in Tango and acoustic recordings. The recordings were all played and sung live over a period of 3 days. Most songs were captured within 2 takes to retain an edge of excitement. Once recorded the mixes were undertaken by Oscar Magariños who engineered the project. Oscar Magariños is a renowned engineer who started his career in Argentina at the time of analog recordings in cinta.He had worked at the most important recording studies and he is a specialist in acoustic takes. Among the most important artists who entrusted their recording and mixing we can mention: Rubén Rada, Osvaldo Fatoruzo, Estela Raval, Los Nocheros, Miguel Abuelo, Oscar Kreimer, y Mario Parmisano among others. ABOUT Moebio: Moebio is one of the best and finest studio rooms in Argentina specially designed by Carlos Piriz, acoustic engineer recognized throughout Latin America as an ideal for recording acoustic projects. In this room have recorded the greatest artists of recent times, including Mercedes Sosa, the guitarist and composer Juan Falu, the guitarist Luis Salinas, the violinist, composer and conductor Antonio Agri, Soda Stereo, Fito Paez, Luis Alberto Spinetta, La Camerata Bariloche, there was recorded the historic album '200 Years of Argentina Music' by the Salta Symphony Orchestra, and many other orchestras, because the audio quality obtained in this room is discussed by many to be insurmountable. Artwork: Juxtaposing the classic nature of the instrumentation Drongomala chose a rising Graphic Novel/Comic artist, Sergio Carrera, to undertake the artwork for the record. He became aware of Sergio through an iPhone graphic novel entitled ´T
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    Songs from Home: Art Songs & Folk Songs from the Philippines
    Songs From Home: Art Songs and Folk Songs from the Philippines Philippine vocal music is as varied as the numerous islands that comprise it's archipelago. Though traditional folk songs are a rich confluence of the country's colonial and indigenous past, it remains distinct from it's various influences. Those featured in this album cover several provinces across the country's major regions (Luzon, Visayas, Mindanao), each detailing rural experiences that capture not only pastoral imagery but the Filipino traits of love, community, the penchant for humor and play. After several periods of powerful colonization, a movement against western musical traditions began to grow in the early 20th century. Composers pursued the restoration or re-creation of a musical identity that was truly Filipino, much of which was greatly based on themes and rhythms established by traditional folk music. The Philippine Art Song around such a time was born. Slow and sentimental, these art songs not only aimed to glorify the talents of local composers and lyricists, it actually celebrated the achievement of a unique Filipino musical identity. Such musical nationalism eventually carried on decades later with popular songs that catered to a wider audience, infiltrating various media like TV, film, and radio. With much pride, I present to you this collection of Philippine musical gems, each piece holding some significance close to my heart. It is my hope that what I hear and feel each time I sing these works will transport you similarly through a journey of my homeland, the Philippines. Joseph Legaspi Sitsiritsit Based on a childhood playground rhyme, nonsensical text and rhythmic onomatopoeia characterize this playful song. It humorously puts together charmingly peculiar scenes and images that include gold and green beetles, women parading around like roosters, babies being bartered for fish paste (bagoong) or a doll, rice flour cookies (puto seko), and even the Child Jesus (Sto. Niño) finds it's way into the song. Lagi Kitang Naaalala An earnest love song that deals with nostalgia and unrequited love, the persona in this piece continues to pine for the affections of his beloved. Written by Leopoldo Silos, Sr., one of the well-known purveyors of Original contemporary Filipino Music, this song exemplifies his abilities as a composer of ballads and romantic tunes. Solis was also known as a master arranger and singer, and was awarded for his musical direction of the television musical "Aawitan Kita" (I'll Sing For You). Pamulinawen This song originates from the Ilocos region, northern Philippines. Many often mistake this as a traditional folksong when it had actually been written during the turn of the century. This is perhaps due to the fact that it utilizes the customary pattern of likening an amour to the idyllic surroundings and it's rather simple depiction of unreciprocated love. In this case, the woman is likened to that of a stone, stoic to the wooing of a man's affections. Manang Biday A traditional Ilokano folksong, this piece refers to a woman named "Biday" (the title "Manang" used as a sign of respect in the Ilocos region and in several parts of the country). The man is asking Biday to look outside her window and listen to his plea. The piece is interestingly cast in two contrasting eight-measure periods (parts A and B), the entire text composed of eight nine-syllable lines. The first four lines (part A) refer to the lover's plea for attention, while the next four (part B) contain Manang Biday's rejection of him. No Dua Dua-em Pay A traditional folksong from the Ilocos Region, north of the Philippines, this popular piece tells of a lover's fervent plea for reciprocation from his beloved who is doubtful of his feelings for her. A unique character of the piece is it's use of the Cuban habanera rhythm. One of the outcomes of 300 years of Spanish colonization, this musical style is more locally known as a 'danza', evident in many of the folksongs during the era. Sarung Banggi This contemplative piece is one of the Bicol region's most popular songs. Written in 1912, it has been performed constantly across the archipelago, adapted into various mediums by numerous composers: piano (R. Santos), choral (L. D. San Pedro), solo voice with piano accompaniment (F. De Leon, C. de Guzman, E. Pajaro), rondalla ensemble (A. Buenaventura), and symphonic theme (F. Buencamino). Aside from it's elegant melody, the lyricism of it's words evokes certain sophistication as the persona beholds the presence of his amour. Si Nanay, Si Tatay Di Co Babayaan Akin to most kundimans, this piece is written in a minor key and is in slow ¾ time. These aspects reinforce the significance of the subject matter, which tackles the relationship between parent and child, admonishing the latter's gratitude and service in return for having been cared for since birth. This Bicolano song is composed of four phrases, each beginning with similar rhythmic patterns that are sung on the same note. Dandansoy A sentimental and melancholic theme pervades throughout this traditional Visayan folksong. Originating from middle region of the Philippine archipelago (Kulasi, Antique), the piece is set in a minor key and written in slow triple time similar to many kundimans. The song's persona bids a sad farewell to his lover, urging her to look toward the direction of his departure should she begin to miss him. Several versions shift to a major key in the middle section, intensifying the piece's emotion by casting hope in the persona's possible change of heart. Ahay, Tuburan Like many folksongs passed on orally through generations, it is possible that the piece would veer away from the original, it's lyrics the result of varying translations and interpretations. Though it finds it's origins in the Visayan region (Aklan), another version of this gem was heard in the Mindanao region (Cotobato). This particular version is based on a transcription of the song collected and recorded in 1956 in Aklan by Priscilla Magdamo, one of the pioneers in the field of Philippine ethnomusicology. The piece poignantly conveys the emotions felt during farewells, of having to yield personal happiness to more pressing matters. Damgo Man Lang Written in 1982, this song from the Bohol region deals with social realities that include injustice and deprivation, and the dream of eventually finding truth and rising above all that muddle it. Though it was primarily created as a love song, several revisions had resulted into a powerful commentary on Philippine society, it's themes remaining relevant to this day. The piece had won the grand prize during the 1983 Cebu Pop Music Festival, the original version sung by Arthur Ungab, one of Bohol region's celebrated voices in contemporary music. Usahay With it's unforgettable and dreamy melody, this popular love song was recorded with the composer as 'unknown." Popular recording artists Susan Fuentes, Dulce and Pilita Corrales were among those who recorded this Visayan melody. It has been recently discovered that the real composer was Col. Gregorio Labja, a largely unacknowledged but venerable and prolific composer from Tagum, Davao del Norte, of the Visayan region. This is the first time in this song's history that Labja is acknowledged publicly as the song's genuine composer. Originally composed for the male voice, as it was dedicated to a lady whom the composer courted, the first recording by Susan Fuentes omitted a stanza that would attribute to the male voice. Sukta ang Kabulakan A folksong from the Visayas region, found in central Philippines, this piece likens a fair maiden and her affections to blossoms in a garden, the metaphor characteristic of songs during the Spanish colonial era. This piece may very well be an example of the 'balitaw' musical form prevalent then, an exchange of love poetry between two singers. Usually sung in a quatrain or ballad stanza, the 'balitaw' can go on for some length either re
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