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  Schweizer Jahrbuch fuer Musikwissenschaft- Annales Suisses de Musicologie- Annuario Svizzero di Musicologia

  Schweizer Jahrbuch fuer Musikwissenschaft- Annales Suisses de Musicologie- Annuario Svizzero di Musicologia ab 116.49 € als pdf eBook: Neue Folge / Nouvelle Serie / Nuova Serie - 28/29 (2008/09)- Redaktion / Redaction / Redazione: Luca Zoppelli. Aus dem Bereich: eBooks, Belletristik, Erzählungen,

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  • Price: 116.49 EUR excl. shipping
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  Kalyoncu, Nesrin: Musikunterricht in der deutschen und türkischen Grundschule

  Erscheinungsdatum: 20.11.2002, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Musikunterricht in der deutschen und türkischen Grundschule, Titelzusatz: Eine vergleichende didaktische Analyse, Autor: Kalyoncu, Nesrin, Verlag: Lang, Peter GmbH // Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Sprache: Deutsch, Schlagworte: Dritte Welt // Entwicklungsland // Musikerziehung // Musikunterricht // Instrumentenunterricht // Literaturwissenschaft // Bildung // Bildungsmanagement // Management // Bildungspolitik // politik // Pädagogik // Schule // Ausbildung // Lehrerausbildung // Lehrerfortbildung // Behindertenpädagogik // Sonderpädagogik // Behinderung // Behinderte // Beratung // Consulting // Rat // Pädagogische Psychologie // Psychologie // Entwicklungsländer // Turksprachen // Musik: Musizieren // Techniken // Anleitungen // allgemein // Bildungsstrategien und // Grundschule und Sekundarstufe I // Unterrichten von Schülern mit sonderpädagogischem Förderbedarf // Bildungsberatung // Schule und Lernen: Musik // Weiterführende Schulen, Rubrik: Didaktik // Methodik, Schulpädagogik, Fachdidaktik, Seiten: 182, Abbildungen: zahlreiche Abbildungen, Reihe: Europäische Hochschulschriften (Reihe 36): Musikwissenschaft / Musicology / Musicologie (Nr. 224), Gewicht: 247 gr, Verkäufer: averdo

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  Schweizer Jahrbuch für Musikwissenschaft. Annales Suisses de Musicologie. Annuario Svizzero di Musicologia

  Schweizer Jahrbuch für Musikwissenschaft. Annales Suisses de Musicologie. Annuario Svizzero di Musicologia - Neue Folge / Nouvelle Série / Nuova Serie. 27 (2007). Béla Bartók. La décennie 1915-1925. Colloque Genève et Lausanne. 1-2 décembre 2006: ab 69.99 €

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  Vers une musicologie de l'interpretation

  Vers une musicologie de l'interpretation: ab 18.49 €

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  • Price: 18.49 EUR excl. shipping
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  Les musiciens et la musique

  Les musiciens et la musique - un essai de sociologie de la musique et de musicologie par Hector Berlioz: ab 6.99 €

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  Giovanni Morelli la musicologie hors d'elle

  Giovanni Morelli la musicologie hors d'elle: ab 42.99 €

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  La metamorphose de l'emotion musicale : entre experiences et savoirs

  La metamorphose de l'emotion musicale : entre experiences et savoirs - Reflexions didactiques en musicologie: ab 29.49 €

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  Portraits D'ames

  Frank Perret began studying music at the age of six. By the time his classical music studies ended, he had won an award for piano and a medal for music theory and composition. He perfected his piano technique with Béatrice HOFFMAN and then Madeleine CURIE, who was Alfred CORTOT's assistant. Later, Frank studied musicology at the Sorbonne where he obtained a two-year degree. For a classical musician, his professional career has been fairly atypical. At sixteen, he was spotted by recording studios which then used his talents as a pianist. He participated in a few Rock and Blues groups and occasionally accompanied pop artists like Marcel AMONT. Also interested in Jazz, he created the group, Acoustic Quartet, which earned the right to include Claude BOLLING's entire "Concerto pour piano jazz et guitare classique" in it's repertoire. His incursions into different types of music do not prevent him from giving classical concerts, solo or in duos, or working with lyrical artists and diverse instrumentalists. His training as a sound engineer and his knowledge of acoustics led him to participate in the "Festival de Théâtre à Paris la Defense" (1992), as acoustical engineer, and as a sound engineer for "Festival du Rire" in Montréal (1998). In 1996, every day for a year, he played live for a radio show that broadcast out of Toulouse (Sud Radio). He has also composed music for several TV films, shorts, documentaries and radio jingles. Then, in 2001, Frank decided to make a life-style change and moved to a small, hilltop village in the Luberon in south-eastern France. He had one idea in mind: to write music without constraint and in total freedom. So, he moved his piano and his work table into the presbytery lent to him by the mayor of the village, and set out to compose. It took three years of work to create these pieces for piano, done in a French romantic style, and inspired by poetry written as a young man. The pieces which make up the album "Portrait d'Ames" are composed in a very personal style the artist continues to develop in the pieces he is working on now and which will appear in his second opus. Reviews: "A fountain of delight, fusion (between piano and man) such that one would almost say it's the piano that is playing the artist." (Keyboard Magazine.) "When a successful pianist is also a talented composer who breathes new life into romanticism, you get 'Portrait d'Ames.' It's only goal is to move and inspire." Frank Perret a commencé la musique à l'âge de 6 ans. Ses études classiques s'achèvent avec l'obtention d'un prix de piano et d'une médaille de solfège et d'harmonie. Il ira se perfectionner auprès de Béatrice HOFFMAN puis de Madeleine CURIE qui fut l'assistante d'Alfred CORTOT. Il suivra des études de musicologie à la Sorbonne où il obtiendra un DEUG. Pour un musicien de formation classique, son parcours professionnel est plutôt atypique. A l'âge de 16 ans il est déjà repéré par les studios d'enregistrement qui utilisent ses talents de pianiste. Il participe à quelques groupes de Rock et de Blues, accompagne occasionnellement quelques artistes de variétés, devient le pianiste pendant un temps de Marcel AMONT et s'intéresse de près au Jazz ce qui l'amènera à créer l'Acoustic Quartet qui aura à son programme entre autre le Concerto pour piano jazz et guitare classique de Claude BOLLING dans son intégralité. Ses incursions dans ces différentes musiques ne l'empêcheront pas de donner des concerts classiques, seul ou en duo, travaillant avec quelques artistes lyriques et différents instrumentistes. Sa formation au technique du son et ses connaissances en acoustique l'amèneront à participer au Festival de Théâtre à Paris la Défense (1992), en tant qu'acousticien, ainsi qu'au Festival du Rire à Montréal (1998) en tant qu'ingénieur du son. Puis pendant un an, tous les jours, il animera musicalement une émission en direct sur une radio française, Sud Radio (Toulouse, 1996). Il fera usage de son talent de compositeur dans un certain nombre de téléfilms, court-métrages, documentaires, jingles-radios. Mais en 2001 il décide de changer de vie, et va s'installer dans un petit village (Grambois) planté en haut d'une colline en plein cœur du Luberon dans le sud-est de la France, avec une idée en tête, écrire sa musique, sans contrainte de temps, en toute liberté. Il installe son piano et sa table de travail dans le presbytère prêté par la mairie du village et écrit des pièces pour piano de style romantique français, s'inspirant de poésies qu'il avait écrites dans son adolescence. Il aura fallu trois ans de travail pour que naissent les pièces qui composent l'album Portrait d'Ames, et que se construise un style d'écriture très personnel qui continue à se développer dans les autres pièces qu'il compose actuellement et qui feront l'objet d'un deuxième opus. CRITIQUES JOURNALISTIQUES « Une fontaine de ravissement, la fusion (entre le piano et l'homme) parait telle qu'on dirait presque que c'est le piano qui joue de l'interprète. » (KEYBOARD Magasine) « Quand un pianiste de haut niveau est aussi un compositeur de talent qui donne au romantisme un souffle nouveau et actuel, cela donne Portrait d'Ames. Son seul but émouvoir. » (LA PROVENCE)

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  Journey with Chopin & Sand

  The CD comes with a 20-page booklet of program notes, narrating Chopin's life and love affair with Georg Sand, and tying in the story behind each piece. Excerpt: "Do [Chopin's] Polonaises not represent the solemn dance of valiant lords, those superb Palatines, interrupted by alerts, by departures for combat, by proud surges of patriotism?" -Solange Clesinger Composed during Frederic Chopin's youth in the early 1820's, the Polonaise in G# minor easily affirms this observation made by Georg Sand's daughter and Chopin's devoted friend, which not only expresses the deep patriotic significance of this national dance, but also conveys to us the exoticism and nationalism associated with Polish exiles in Paris during the 1830's. Links between France and Poland have existed for centuries, reinforced by royal alliances and the Napoleonic Wars. The relationship between Chopin and Sand reflects this deep Franco-Polish bond: a romantic alliance between an iconic Polish pianist and a renowned French authoress. Theirs was a union that exemplified not only the connection between their two countries, but also the ideals of the Romantic Movement in which artists of varying disciplines gained inspiration from each other's work. After nine years together, however, an unfortunate misunderstanding drove them apart, and before explanations could be brought forth, the tuberculosis that Chopin had been battling since his youth finally claimed his life. Despite the fact that Chopin composed almost exclusively for the piano, never writing a single note for the harp, he was an active participant in the exchange between artistic disciplines that was common at the time. In this spirit, the exploration of Chopin's musical style does not have to be confined to the piano. Much of the early repertoire of the then-innovative pedal harp was born of the musical style and artistic inspirations surrounding Chopin and Sand, and in this way brings alive the story of their love and their life for listeners today. Biography: Based in Paris, France, timeless source of artistic inspiration and cradle of the modern harp, the Atlantic Harp Duo undertakes to bring the richness of two harps to music otherwise beyond the possibilities of a single instrument. Founded in 2006 by Marta Power Luce and Elizabeth Jaxon, both natives of the Great Lakes Region of the United States, the harp duo performs regularly on each side of the Atlantic. Ms. Luce and Ms. Jaxon both studied under Isabelle Perrin at the École Normale de Musique de Paris. Ms. Luce received her Diplôme de Concertiste in 2008, and holds a degree in Musicology (Licence de Musicologie) from the Sorbonne. She has participated in numerous international harp competitions, winning prizes in the Félix Godefroid International Competition in Belgium and the North London Festival of Music and Drama, among others. Ms. Jaxon received her Bachelor's of Music in 2006 from the University of Illinois where she studied with Ann Yeung. In 2009, she earned her École Normale Diplôme de Concertiste. After moving to Paris, she was awarded prizes in several international competitions, including the First International Harp Competition of Szeged in Hungary, and participated in the world-renowned International Harp Contest in Israel in 2009. Ms. Luce maintains an active teaching studio and performing career in Paris, and Ms. Jaxon has recently been appointed Lecturer of Harp at Mahidol University College of Music, in Thailand. The Atlantic Harp Duo has been among the finalists in the International Chamber Music Competition with Harp in Madrid, Spain, and in the UFAM Competition in Paris, and has been invited to the Villecroze Music Academy in 2010. Since it's conception, the duo has performed in the Great Lakes Region of the USA, as well as in Europe and Asia. Always striving towards the most informed musical interpretation, the duo has consulted directly with composers of the major works of their repertoire - Jean-Michel Damase, Bernard Andrès, Anthony Girard, and Caroline Lizotte. They have also inspired new compositions by Damien Luce and Franck Villard and regularly compile their own transcriptions in an effort to enrich the harp's repertoire.

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  • Price: 28.54 EUR excl. shipping

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