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Resurrection: Five Moons, Book 1 , Hörbuch, Digital, ungekürzt, 359min

“We come in peace” is what we told the anoza when human explorers first encountered them, but you would have to ask the anoza how that worked for them. They would tell you fast and quick that humans were cast into the outer darkness because of the evil in our hearts. It didn't take them long to figure that out when we left the blood of four innocents on their hands. In fact, we convinced them of it by trying to hide the evil that was done. Union Fleet flew an unmarked ship into space docks after the Corporate War, intending to secretly scrap it out, intending to get rid of the evidence. A time-space distorted Tesseract had killed its crew of humans, or so they thought. Or, was that just a rationalization to hide their shame? By the end of the Corporate War, Dallas Blake had lost everything: his wife, his daughter, his whole family. He was a man in need of far more than just a new beginning. What Dallas needed was a resurrection. Dallas went to the Union Fleet space docks to buy a war-surplus scout-class ship. Instead, he unknowingly buys the Tesseract. It does not take Dallas long to find out that its crew of artificials seems way more human than they should be and every bit as much in need of a resurrection as Dallas. But, Dallas Blake is outworlder to the nines and ready for whatever life throws at him, except maybe for Mariah. And, oh, by the way, did I mention that Mariah is techno? Mariah is but one of the mysteries of the ship once called Tesseract, now named the Five Moons. But no one was cutting Dallas any breaks. The ship's alien technology and artificial life forms are the mysteries that he must solve as the action-packed rescue of Emma from more than just the mercenaries that kidnapped her leads Dallas and the crew of the Five Moons into danger. At this point, however, I must warn you - Five Moons: Resurrection is not your father's science fiction. It is science fiction ungekürzt. Language: English. Narrator: Kevin Scollin. Audio sample: https://samples.audible.de/bk/acx0/114033/bk_acx0_114033_sample.mp3. Digital audiobook in aax.

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Last Chance Mail Order Bride: Violet's Cowboy: Westward Wanted, Book 4 , Hörbuch, Digital, ungekürzt, 395min

It was not Violet Gladstone's idea to become a mail order bride. She felt it was foolhardy for a woman to leave everything behind to marry a man she had never met. However, when her greedy boyfriend, Ned, jilted her for a rich woman, her friend convinced her to answer an ad. Soon, she was exchanging letters with a nice widower who wanted to wed her. For months, they wrote to each other. All his letters were charming, except the last one. It contained an ultimatum: marry him now or never. He could wait no longer. She wrote back that she would come right away, but she did not. Instead, when the time came, she turned in her ticket to Texas and posted an apologetic letter to the widower breaking off their engagement. When Ned heard Violet stayed, he accused her of holding a torch for him and offered to make her his mistress. Violet scoffed at his lewd offer and his vile conceit. In a flash, he was in her face, pointing out that a strong-willed 27-year-old servant was too old, too poor, and too disagreeable to find a husband in man-starved postwar Georgia. He predicted she would live out her life, a spinster dwelling in the servants' quarters while she pined away for what might have been. That was all it took for her to pen another letter asking the widower to forgive her fickleness, and informing him she was on her way. There was no way Ned was going to ruin her dreams. She left on the very next stagecoach bound for Texas. Her fury kept her doubts and fears at bay for some time, but when the road got rough as they traveled farther and farther into the frontier, she regretted leaving Atlanta. When she really thought about it, being a spinster seemed like a pleasant carefree lifestyle and the servants' quarters a safe haven. Her rationalization was for naught; it was too late to turn back. Certain she had left the frying pan for the fire, she stared out the window of the stagecoach as it rattled down the bumpy dirt road heading to her uncertain future. / ungekürzt. Language: English. Narrator: Amy Gramour. Audio sample: https://samples.audible.de/bk/acx0/056585/bk_acx0_056585_sample.mp3. Digital audiobook in aax.

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Cure (the Work)

A graphic extension of Sam Lewitt's 2021 exhibition at Z33 House of Contemporary Art, Design and Architecture, Belgium. CURE (the Work) is a graphic extension of Sam Lewitt's 2021 exhibition at Z33 House of Contemporary Art, Design and Architecture, Belgium. Lewitt's exhibition departs from the recent closure and demolition of Ford Genk, formerly a major employer in the region. As Ford Genk was undergoing demolition, the new wing of Z33 was under construction in the nearby city of Hasselt. CURE (the Work) retools elements of the demolished factory, as well as two manual earth ramming presses compacting soil extracted from the Ford site, recasting the galleries at Z33 as a production line for interlocking compressed earth blocks: a low-cost building material designed for self-help housing in so-called developing countries, as well as practitioners of small-scale ecological self-sufficiency. Each stage in the brick production process-compressing, curing, and stacking-is separated within the exhibition space by doors and tarps from the former factory. This dispersed presentation raises the question of where we locate the "work," as an activity and as a product. As a book, Cure (the Work) is structured around a template drawn from the form of a paving stone produced throughout the exhibition. Book and brick are here identified according to their portability and serial logic. This paver's form becomes an internal frame for the book's image content. The latter comprises research and photographic documentation of the Ford factory during demolition. The rhythm of these images throughout the book is constrained to a printing on a single side of the paper running through the press, resulting in variably patterned sequences of two-page spreads punctuated by empty pages. This documentation and textual material at once situates CURE (the Work) within the context of this deindustrialized European city, and points beyond the site to its broader, encompassing logic and material conditions. Like the content of Lewitt's work, the form of the book is structured by the logic of mobility, standardization, and rationalization that a broader consideration of the local context in the midst of global economic machinations implies. This includes the mobility promised by the automotive industry, capital flight in search of low wages, labor's resulting immobilization as well as a critical self-reflection on global artistic culture and its relationship to economic and social transformation. Newly commissioned essays on Lewitt's work by art historians Annie Ochmanek and André Rottmann, as well as a discussion between architecture historian Felicity Scott and Sam Lewitt, moderated by Z33 curator Tim Roerig, contextualize the exhibition and book, pointing to its place within Lewitt's practice.

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Price: 26.99 EUR excl. shipping

How to reduce costs and increase market share through rationalization of the design process of products

How to reduce costs and increase market share through rationalization of the design process of products - Rationalization design process VDI 2221. 1. Auflage: ab 2.99 €

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Price: 2.99 EUR excl. shipping