2,033 Results for : involves

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    An argument for putting sentiment aside and maximizing the practical impact of our donated dollars: "Powerful, provocative" (Nicholas Kristof, The New York Times). Peter Singer's books and ideas have been disturbing our complacency ever since the appearance of Animal Liberation. Now he directs our attention to a challenging new movement in which his own ideas have played a crucial role: effective altruism. Effective altruism is built upon the simple but profoundly unsettling idea that living a fully ethical life involves doing the "most good you can do." Such a life requires a rigorously unsentimental view of charitable giving: to be a worthy recipient of our support, an organization must be able to demonstrate that it will do more good with our money or our time than other options open to us. Singer introduces us to an array of remarkable people who are restructuring their lives in accordance with these ideas, and shows how, paradoxically, living altruistically often leads to greater personal fulfillment than living for oneself. Doing the Most Good develops the challenges Singer has made, in the New York Times and Washington Post, to those who donate to the arts, and to charities focused on helping our fellow citizens, rather than those for whom we can do the most good. Effective altruists are extending our knowledge of the possibilities of living less selfishly, and of allowing reason, rather than emotion, to determine how we live. Doing the Most Good offers new hope for our ability to tackle the world's most pressing problems.
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    Corruption, conspiracies and the cynicism of true Machiavellian villains... Move over Frank Underwood there is a new bunch of power-hungry sociopaths in town. Just three weeks before the election the leader of the Democratic Party is seriously injured in a severe car accident. This catapults the party into a grubby power struggle between the parliamentary group chairman and the political spokesman. Only one of the two will be taking over the future leadership of the party.Past events, malignant arm-twisting and document forgery are all used in their efforts to reach the very top. Here everyone is a pawn in this high stakes game of political chess where even the journalists covering the Danish parliament have their own agendas.Enter young, ambitious journalist, Ulrik Torp, who is made Dagbladet's correspondent in Parliament. An opportunity of a lifetime. But Ulrik gets caught up in the power struggle the parties two successors and slowly uncovers a cynical plot that involves the country's incumbent Prime Minister.Obsessed with learning the truth Ulrik must slowly watch as his ideals crack and eventually forced to take action himself...Something is definitely rotten in the state of Denmark.Great for fans of Borgen, House of Cards and Narcos. Niels Krause-Kjær (born 1963) is a Danish journalist. After a period as press chief for the Danish Conservative Party's Parliamentary Group, he wrote the political thriller "Solitaire", which became the award-winning film "King's Game" by Nikolaj Arcel. In 2019, "Darklands", the second volume in the series about journalist Ulrik Torp was published. This thriller is also being filmed.
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    Much of contemporary philosophy, especially in the analytical tradition, regards aesthetics as of lesser significance than epistemology, ethics, metaphysics, and the philosophy of language. Yet, in Aesthetic Dimensions of Modern Philosophy, Andrew Bowie explores the idea that art and aesthetics have crucial implications for those areas of philosophy. In the modern period, the growth of warranted scientific knowledge is accompanied both by heightened concern with epistemological scepticism and a new philosophical attention to art and the beauty of nature. This suggests that modernity involves problems concerning how human beings make sense of the world that go beyond questions of knowledge, and are reflected in the arts. The relationship of art to philosophy is explored in Montaigne, Descartes, Hume, Kant, Schelling, the early German Romantics, and Hegel. This book also considers Cassirer's and the hermeneutic tradition's exploration of close links between meaning in language and in art. The work of Karl Polanyi, Marx, Nietzsche, Heidegger, Adorno, Dewey, and others is used to investigate how the modern sciences and the development of capitalism change both humankind's relations to nature and the nature of value, and so affect the role of art in human self-understanding. The aesthetic dimensions of modern philosophy can help to uncover often neglected historical shifts in how 'subjective' and 'objective' are conceived. Seeing art as a kind of philosophy, and philosophy as a kind of art, reveals unresolved tensions between the different cultural domains of the modern world and questions some of the orientation of contemporary philosophy.
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    Much of contemporary philosophy, especially in the analytical tradition, regards aesthetics as of lesser significance than epistemology, ethics, metaphysics, and the philosophy of language. Yet, in Aesthetic Dimensions of Modern Philosophy, Andrew Bowie explores the idea that art and aesthetics have crucial implications for those areas of philosophy. In the modern period, the growth of warranted scientific knowledge is accompanied both by heightened concern with epistemological scepticism and a new philosophical attention to art and the beauty of nature. This suggests that modernity involves problems concerning how human beings make sense of the world that go beyond questions of knowledge, and are reflected in the arts. The relationship of art to philosophy is explored in Montaigne, Descartes, Hume, Kant, Schelling, the early German Romantics, and Hegel. This book also considers Cassirer's and the hermeneutic tradition's exploration of close links between meaning in language and in art. The work of Karl Polanyi, Marx, Nietzsche, Heidegger, Adorno, Dewey, and others is used to investigate how the modern sciences and the development of capitalism change both humankind's relations to nature and the nature of value, and so affect the role of art in human self-understanding. The aesthetic dimensions of modern philosophy can help to uncover often neglected historical shifts in how 'subjective' and 'objective' are conceived. Seeing art as a kind of philosophy, and philosophy as a kind of art, reveals unresolved tensions between the different cultural domains of the modern world and questions some of the orientation of contemporary philosophy.
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    This book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña. Each artist engages in a multi-media, or "combination" performance practice; this includes the use of site, embodied performance, material elements, film, and writing. Each case study involves traumatic content, including the legacy of slavery, child sexual abuse and environmental degradation; each artist constructs an aesthetic milieu that invites rather than immerses-this allows an audience to have agency, as well as multiple pathways into their engagement with the art. The author Niki Tulk suggests that these works facilitate an audience-performance relationship based on the concept of ethical witnessing/wit(h)nessing, in which viewers are not positioned as voyeurs, nor made to risk re-traumatization by being forced to view traumatic events re-played on stage. This approach also allows agency to the art itself, in that an ethical space is created where the art is not objectified or looked at-but joined with. Foundational to this investigation are the writings of Bracha L. Ettinger, Jill Bennett and Diana Taylor-particularly Ettinger's concepts of the matrixial, carriance and border-linking. These artists and scholars present a capacity to expand and articulate answers to questions regarding how to make performance that remains compelling and truthful to the trauma experience, but not re-traumatizing. This study will be of great interest to students and scholars of performance studies, art history, visual arts, feminist studies, theatre, film, performance art, postcolonialism, rhetoric and writing.
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    This book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña. Each artist engages in a multi-media, or "combination" performance practice; this includes the use of site, embodied performance, material elements, film, and writing. Each case study involves traumatic content, including the legacy of slavery, child sexual abuse and environmental degradation; each artist constructs an aesthetic milieu that invites rather than immerses-this allows an audience to have agency, as well as multiple pathways into their engagement with the art. The author Niki Tulk suggests that these works facilitate an audience-performance relationship based on the concept of ethical witnessing/wit(h)nessing, in which viewers are not positioned as voyeurs, nor made to risk re-traumatization by being forced to view traumatic events re-played on stage. This approach also allows agency to the art itself, in that an ethical space is created where the art is not objectified or looked at-but joined with. Foundational to this investigation are the writings of Bracha L. Ettinger, Jill Bennett and Diana Taylor-particularly Ettinger's concepts of the matrixial, carriance and border-linking. These artists and scholars present a capacity to expand and articulate answers to questions regarding how to make performance that remains compelling and truthful to the trauma experience, but not re-traumatizing. This study will be of great interest to students and scholars of performance studies, art history, visual arts, feminist studies, theatre, film, performance art, postcolonialism, rhetoric and writing.
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    • Price: 32.95 EUR excl. shipping
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    Have you always dreamed of financial freedom? Do you want to achieve it through your own business? Is Dropshipping something you've been considering but need to know more? If you have ever wanted to own your own business but were afraid of the start-up costs or don't have the space to store large volumes of merchandise, then dropshipping could be the answer for you. This simple but lucrative business model involves you being responsible for the marketing and selling of products, which you source from manufacturers or wholesalers, who then deal with the shipment. This book, Dropshipping Shopify, explains how you can get started with this sort of business and build it up to whatever size you like, with chapters that explain: · How to get started in the business · Navigating the Shopify platform · The biggest mistakes newcomers make and how to avoid them · Designing your online store · Finding the right suppliers and products · Discovering the niches that make most money · Running successful Facebook ads · Scaling your business to expectations · And more... Dropshipping means you don't need premises or large volumes of stock, so your overheads are small and profits can be big. Before long you could build your new business into a lucrative money maker and see your passive income expand dramatically. But even if you want to take it easy to start with, dropshipping makes a great side hustle while you carry on your main employment and Dropshipping Shopify will provide you with all the information you need to get started.
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    "Jesus: He Who Is, Who Was, and Who Is to Come" involves examining past and present evidence of the validity and reliability of scripture historically, archaeologically, and through modern research. Furthermore, the book provides scriptural proof and examples of the power and providence of God's plan for the future. The text details:Escaping the corruption that is in the world through lust Christians making their calling and election sure so they will never fall God's promise for His children to be presented blameless before His presence with exceeding joy The scriptural empowering and building up of our most holy faith will ignite ambassadorship which calls others today to be reconciled to God through Jesus Christ the Son of God. Endorsement:It is a concise book that uses bible history to provide the plan of salvation by showing God's divinity, our need for God, the coming of the end days, and what happens to those in the Church who compromise on what the Word of God says.¿Freda Kramer Very informative as to Christian teachings and Christian beliefs. Very infor-mative as to living a Christian life.¿Tom Kearney About the Author: John comes from a large family and a wonderful Christian community. He became born again at age seven after accepting the good news of Jesus, the son of God, and His love, life, and resurrection. John is thankful to the Lord for blessing him with a wonderful wife, Del, and son Matthew. He has enjoyed teaching Bible history for so many years and is marveling at the transforming power of the Holy Scriptures.
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    Chinese cuisine is an important part of Chinese culture, which includes cuisines originating from the diverse regions of China as well as from Overseas Chinese who have settled in other parts of the world. Because of the Chinese diaspora and historical power of the country, Chinese cuisine has influenced many other cuisines in Asia, with modifications made to cater to local palates. Chinese food staples such as rice, soy sauce, noodles, tea, chili oil and tofu, and utensils such as chopsticks and the wok, can now be found worldwide. Navigating a Chinese cuisine can be a challenge if you're trying to stick to the low carb, high fat keto diet. Although loaded with veggies; many Chinese dishes are often made with noodles and rice, starchy and sugary sauces, or battered and fried meats that can pack on the carbs. The ketogenic diet is a very low carb, high fat diet that shares many similarities with the Atkins and low carb diets. It involves drastically reducing carbohydrate intake and replacing it with fat. This reduction in carbs puts your body into a metabolic state called ketosis. When this happens, your body becomes incredibly efficient at burning fat for energy. It also turns fat into ketones in the liver, which can supply energy for the brain. These foods are difficult to include in a keto diet, which typically restricts your carb intake to no more than 50 grams of total carbs or 25 grams of net carbs - which is total carbs minus fiber - per day.
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    Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,00, Catholic University Eichstätt-Ingolstadt (Sprach- und Literaturwissenschaftliche Fakultät), course: Novel and Film, 10 entries in the bibliography, language: English, abstract: “Do Androids Dream of Electric Sheep?” is one out of at least six novels by Philip K. Dick that deal substantially with the questions surrounding androids. It is exactly the distortion between the real as the jumping-off point cited above and the hypothetical, unreal, fictional which creates a critical comment on the world the present reader lives in. The special focus on humanlike androids in “Do Androids Dream of Electric Sheep” implies a particular philosophical issue. Of course, the somewhat murky, obscure and intransparent depiction of androids involves the problem of man-machine relationships, which can to a certain extend be equated with human-android relationships. But Dick goes a step further, pointing out the differences as well as the parallels between both the android and the human being, using ambiguous descriptions and playing with the reader’s sympathy for both sides. One could even argue that Dick tried to create a kind of meeting halfway between man and android. Certainly, Dick himself faces difficulties when trying to define the android as “a thing somehow generated to deceive us in a cruel way, to cause us to think it to be one of ourselves.” This description meets exactly to core of our analysis, which deals with the impact and the effects created by this somewhat ambiguous representation of human and android life.
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