9 Results for : congratulamini
-
4 Motetten (il terzo libro delle divine lodi musicali)
Verbum caro factum est|In Spiritu humilitatis|Congratulamini mihi omnes|Congratulamini mihi omnes- Shop: Notenbuch
- Price: 24.80 EUR excl. shipping
-
-
3 GEISTLICHE KONZERTE
CONGRATULAMINI|O GLORIOSA DOMINA|O SACRUM CONVIVIUM- Shop: Notenbuch
- Price: 10.00 EUR excl. shipping
-
CONGRATULAMINI MIHI OMNES
MARIA DIE ZART JUNGFRAU FEIN- Shop: Notenbuch
- Price: 16.50 EUR excl. shipping
-
-
8 Motetten für Sopran
O DULCE NOMEN JESU|VULNERASTI COR MEUM|LAUDA SION SALVATOREM|TOTA PULCHRA|CONGRATULAMINI MIHI CARISSIMI|MEMORIAM FECIT MIRABILIUM|TRANSFIGE DULCISSIME DOMINE|SALVE REGINA- Shop: Notenbuch
- Price: 21.80 EUR excl. shipping
-
8 Motetten für Sopran
O DULCE NOMEN JESU|VULNERASTI COR MEUM|LAUDA SION SALVATOREM|TOTA PULCHRA|CONGRATULAMINI MIHI CARISSIMI|MEMORIAM FECIT MIRABILIUM|TRANSFIGE DULCISSIME DOMINE|SALVE REGINA- Shop: Notenbuch
- Price: 26.50 EUR excl. shipping
-
Missa Congratulamini Mihi/ave Maria/dum Esset Rex
No description.- Shop: odax
- Price: 16.15 EUR excl. shipping
-
Out of the Shadows: Sacred Music of Francisco Guerrero and Thomas Crecquillon
In their lifetimes, Francisco Guerrero and Thomas Crecquillon were among the most popular and acclaimed composers of the 16th century. In the intervening years, however, Guerrero has been eclipsed in stature among Spanish Renaissance composers by his contemporary Victoria, Crecquillon, meanwhile, has disappeared almost entirely, with his greatest works surviving mostly as misattributions to better-known composers such as Clemens non Papa and Morales. Here we present a range of sacred works by both composers, including some of their most well-known compositions as well as pieces that may not have been heard by audiences in hundreds of years. Crecquillon, the earlier of the two composers whose works we present here, was choirmaster at the Imperial Chapel and unofficial court composer for Charles V, Holy Roman Emperor. He belongs to the generation of Franco-Flemish composers immediately following Josquin, a generation in which the art of imitative polyphony was raised to arguably it's highest state. Crecquillon's skill in polyphonic writing was widely recognized in his lifetime and immediately thereafter-a collection of motets published in 1576 calls him 'the most celebrated master' of Charles V's court, and many great composers of his and the following generation wrote parody masses on melodies of Crecquillon's. It is not clear why Crecquillon's music has been largely neglected in the resurgence of interest in Franco-Flemish polyphony, as it's beauty and skill in counterpoint hold up admirably in comparison to music of contemporaries such as Gombert and Clemens non Papa. One composer of the late 16th century who found Crequillon's melodies worthy of incorporating in his own music was the Spaniard Francisco Guerrero. Of the eighteen settings of the mass Guerrero produced, one of the most successful is the Missa Congratulamini mihi, based on the Crecquillon motet of that name, which we include on this recording. Guerrero was a prodigy, graduating from choirboy at Seville, where he was born, to choirmaster at Jaen [needs diacritic] while still in his teens. He soon returned to Seville with the promise of eventually succeeding to the post of choirmaster there. Despite having apparently obtained his dream job, Guerrero seemed to have a great curiosity about the world at large and spent many years away from his post traveling, which included a remarkable visit to the Holy Land that culminated in his capture and ransom by pirates. His published account of this journey became almost as popular as his music. As a composer, he was perhaps best known in his lifetime for his deeply felt settings of Marian texts, which earned him the sobriquet 'El Cantor de Maria.' In the initial revival of interest in sacred Renaissance polyphony in the mid- to late 20th century, Guerrero's music was mostly neglected in favor of that of his contemporary and countryman Tomas [needs diacritic] Luis de Victoria, in recent years, however, many significant performances and recordings have begun to redress this imbalance. - Tom Crawford, 2013 King Solomon's Singers: Heather Ahrenholz Michael Byrley Tom Crawford Tamara Ghattas Jessica Melger Stephanie Sheffield William Bouvel William Chin Matthew Dean Amy Mantrone Peter Olson King Solomon's Singers is an ensemble dedicated to the performance of Renaissance polyphony and chant. The members of the ensemble are professional and semi-professional singers from the Chicago area-members of ensembles such as Chicago Chorale, Schola Antiqua of Chicago, The Oriana Singers, The Chicago Early Music Consort, and Chicago a cappella-who share a love of this particular repertoire. For more information, visit our website or find us on Facebook. Special Thanks: This recording is dedicated to Robert and Susan Crawford, who made it possible.- Shop: odax
- Price: 26.65 EUR excl. shipping
