4 Results for : lineout

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    Netzteil zur Spannungsversorgung für das ComfortPanel® 8136/09-… und 8136/12-….Mit integrierter KNX Busankopplung zur Herstellung des lokalen Busanschlusses zum Busch-Installationsbus® KNX.Mit integrierten Audioausgängen (LineOut).
    • Shop: digitalo
    • Price: 429.00 EUR excl. shipping
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    Der kompakte DABMAN d10 ist das ideale Schlafzimmeraccessoire: der DAB+ und UKW Radiowecker bietet besten Digitalradiogenuss und kommt in einer edlen Optik daher. Der DABMAN d10 verfügt über eine Snooze-Taste oben am Gehäuse, das integrierte 2.4'' (6.1cm) TFT Farbdisplay gibt nützliche Hintergrundinfos zum laufenden Programm gestochen scharf wieder. Viele benutzerfreundliche Features wie Sleeptimer, ein Equalizer mit sechs vordefinierten Wiedergabemodi oder die mehrsprachige Menüführung runden den Funktionsumfang des kompakten Radioweckers ab. Der DABMAN d10 ist in drei Farbvarianten verfügbar.Produkt Highlights3.5mm Lineout (L/R) sowie KopfhörerbuchseSchraubbare 70cm TeleskopantenneIn 3 Farben erhältlichAnschlüsse: 1x Kopfhörer Anschluss (3,5mm Klinke)1x Audio-Ausgang analog1x USB 2.0 (gesamt)Lautsprecher: Ausgangsleistung: 4 WImpedanz: 4 ΩLeistung / Energiewerte: Energiewerte LED: 1 WBetrieb: 8 WRadio-Empfang: Digital Band III, DAB, DAB+: 174 - 240 MHzAnalog UKW: 87.5 - 108 MHzAntenne: schraubbare DAB+ / UKW-TeleskopantenneStromversorgung: Nennspannung: 240 VFrequenz: 50 HzNetzteil: DC 9V, 2000 mAUmgebungstemperatur: Luftfeuchtigkeit: 5 - 90 % relative Luftfeuchtigkeit (nicht kondensierend)Umgebungstemperatur: 5 - 40 °CTop AusstattungKompakter Radiowecker mit Snooze-FunktionDAB+ & RDS UKW RadioBeleuchtetes 6.1 cm (2,4'') TFT Farbdisplay3'' Lautsprecher mit 4W LeistungSleeptimer, mehrsprachiges und einfach strukturiertes OSD MenüUmfassende Equalizerfunktion mit VorprogrammierungArtikelinformationen:Größe (BxHxT): 13.50 x 14.50 x 12.00 cmProduktgewicht: 890 gProduktgewicht inkl. Verpackung: 1.4 kgLieferumfang:IMPERIAL DABMAN d10Fernbedienung (inkl. Batterien)TeleskopantenneWurfantenneNetzteilBedienungsanleitungGarantiekarte
    • Shop: OTTO
    • Price: 66.99 EUR excl. shipping
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    Netzteil zur Spannungsversorgung für das ComfortPanel® 8136/09-? und 8136/12-?. Mit integrierter KNX Busankopplung zur Herstellung des lokalen Busanschlusses zum Busch-Installationsbus® KNX. Mit integrierten Audioausgängen (LineOut). Busch-Jaeger Artikel-Nr.: 6186/01 UP Busch-Jaeger Bestell-Nr.: 6186-0-0022
    • Shop: Tecedo
    • Price: 248.90 EUR excl. shipping
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    Since 2007, Wah-Wah Exit Wound has been playing progressive psychedelic music. Dave Webb (Girth, Asva), Warren Pease, and Bowie McLean form the power trio that reminds listeners how and why the simple lineup of guitar / bass / drums has ruled the world since the 60s. Drawing equally from King Crimson, Yes, Rush, and other classic prog bands, fusion greats Return to Forever and Tony Williams Lifetime, and the epic force of Neil Young with Crazy Horse, WWEW can easily blow the roof off a club, then stop on a dime to caress the audience back into the womb....before doing it all again. Originally formed by old friends Jared Nelson (no longer with the band) and Dave Webb, WWEW has steadily evolved. After recruiting Andy Pease on drums and Bowie McLean on bass the quartet hit the road and did a small west coast tour in spring '07. When they returned, the seeds of Earth is a Cannon of Love had been laid. The 2nd half of 2007 was spent hunkered down in Seattle, playing local shows and recording their debut. Huge walls of guitar, tender ballads, and breakneck time and feel changes...this record never fails to remain an interesting listen, but is balanced by the sensibilities of the songwriting team. Repeated listens will reveal layers of sonic landscapes and prove that the great rock record is not a thing of the past. This is progressive psychedelia at it's best. 2008 and 2009 have been busy years for Wah Wah. They've completed and toured in support of Vibrational Osmosis, a record that is close to all their hearts and can be seen as a massive step forward in character, insanity, and song-craft. The entire album could be described as more pure, the songs are more emotionally rich and honest, the technical aspects of the band have been captured as never before. In addition, the band's personality shines through on this record. There is an overall joy here, always buried in ominous layers of psychedelia. Quotes: 'Wah Wah Exit Wound is an emerging force to be reckoned with. It's a three-piece so taught and in sync with each other that the music is able to take over your ears, flowing with a soothing complexity that's so natural that those not so fond of prog-rock may not even notice, but those who are will fully appreciate the precision the band shows off. The bass and drum grooves provide a deep landscape for the shredding guitar to fly over and scream in cold blood it's truths of the world. The rushing walls of sound, a variety of genres mixed into the progressive style, are heavier and truer than their influences...All in all, if you want to see a powerful, confident, exciting, technically gifted band...than you've got an obvious choice.' --Teddy Dutton, LPM Voice, August 2009 '...songs...so serpentine and knotty, they must have taken 10-hour rehearsal days to master them. Seriously. These labyrinthine pieces sound great...while they're happening (thankfully, they aren't fooling about the wah-wah part of their moniker), but they're very hard to retain in your brain afterward. They dissipate like passages from a book written in a language you only half understand. But during them, it's like riding a roller coaster in a forest full of pine trees. Compliment.' --Dave Segal, The Stranger LineOut, 7/10/09 'After seeing WWEW a couple of times and listening to this CD this stuff is really pretty damn good! Kind of different than anything I can name, other than this weird Seattle loose-posse of like-minded players who have managed to mix all these styles into longform tracks that go fucking everywhere, but where it's going are sounds I can dig and not pretentious noise or drone cop-out bullshit so many others tend to get caught up in---you guys actually write shit and can execute it. It's very bizarre that Seattle has several units of such progresso pychedelics out there ahead of the fuckin game. It deserves a vinyl release to give it the psychological edge it deserves to create a timeless document.' --Alan Bishop (Sun City Girls, Sublime Frequencies), April 2008 'The quartet's monster guitars, attack-drums, and dramatic tempo changes are mysteriously heavy, darkly psychedelic, and you can actually hear how long the bass player's hair is. The result gratifies audience and musician alike in long, rock-operatic songs like 'Failed Spiraling Majesty.'' -- San Francisco Weekly, 2007.
    • Shop: odax
    • Price: 22.11 EUR excl. shipping


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